Perhaps the most remarkable thing about the Hunger Games is the way it simply presupposes that revolution is necessary. The problems are logistical, not ethical, and the issue is simply how and when revolution can be made to happen, not if it should happen at all. Remember who the enemy is – a message, a hailing, an ethical demand that calls out through the screen to us …. that calls out to a collectivity that can only be built through class consciousness …. (And what has Collins achieved here if not an intersectional analysis and decoding of the way that class, gender, race and colonial power work together – not in the pious academic register of the Vampires’ Castle, but in the mythographic core of popular culture – functioning not as a delibidinising demand for more thinking, more guilt, but as an inciting call to build new collectivities.)