Like the nice guy from your grad-school program who tries to cover up his hurt feelings by concocting a general theory that explains why he never got a text after his one-night stand, the book portrays the Young-Girl as vain, frivolous, and acquisitive. She serves the traditional female role of reproducing the population and social order, but here, the social order is corrupt. Therefore, Tiqqun suggests, their intervention requires an ironic performance of misogyny. [...]
We believe that Tiqqun has mistaken its object. The real enigma of our age is not the Young-Girl, who, we submit, has been punished enough already for how commodity culture exploits her. It is, rather, her boyish critic. Forms of crypto- and not-so-crypto misogyny have proved startlingly persistent not just within the radical left but also in the bourgeois-left spheres of cultural production: the publishing world, the museum, and the humanities departments of liberal-arts universities. We propose that a particular type is responsible for perpetuating such bad behavior. Call him the Man-Child.