Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

[...] With this in mind, and when I worry over the publications, labels, and artists who have (reluctantly or otherwise) embraced Spotify, I can’t help but think of that airport restaurant server who teaches you how to use the iPad, thereby contributing to her own obsolescence. Why is the music press generating value for a platform that in every way plans to eliminate it? And what will become of music criticism in a world without records? Will publications review discovery feeds and write profiles of playlists? What good will criticism be when all of music has coalesced into algorithmically preordained Muzak?

I want to believe that it’s not too late to beat the billionaires and the bots. But earlier this year Spotify signed a lease for fourteen floors at Four World Trade Center. The company’s gone on a hiring spree, with plans to add a thousand employees. The new lease costs $2.77 million in monthly rent. And it lasts until 2034.

although I feel like there's value in a music press being more about personal storytelling (like that incredible piece on The National), I agree with her sentiment and also think that Spotify planning ahead for 2034 is fucking terrifying

—p.95 The Problem with Muzak (88) by Liz Pelly 6 years, 6 months ago