Aesthetic accelerationism, unlike the politico-economic kind, does not claim any efficiency for its own operations. It revels in depicting situations where the worst depredations of capitalism have come to pass, and where people are not only unable to change things but are even unable to imagine trying to change things. This is capitalist realism in full effect. [...]
after a passage on Paolo Bacigalupi's story The People of Sand and Slug (post-apocalypse)