[...] the roses in the cloisters of Florence, the gilded bulbous domes of Krakow, the Hradschin and its dead palaces, the contorted statues of the Charles River over the Ultava, the delicate gardens of Salzburg. All those flowers and stones, those hills and those landscapes where men's time and the world's time have mingled old trees and monuments! My memory has fused together such superimposed images to make a single face, which is the face of my true native land. And then I feel a pang when I think that, for years now, your shadow has been cast over that vital, tortured face. Yet some of those places are ones that you and I saw together. It never occurred to me that someday we should have to liberate them from you. And even now, at certain moments of rage and despair, I am occasionally sorry that the roses continue to grow in the cloister of San Marco and the pigeons drop in clusters from the Cathedral of Salzburg, and the red geraniums grow tirelessly in the little cemeteries of Silesia.

But at other moments, and they are the only ones that count, I delight in this. For all those landscapes, those flowers and those plowed fields, the oldest of lands, show you every spring that there are things you cannot choke in blood. That is the image on which I can close. It would not be enough for me to think that all the great shades of the West and that thirty nations were on our side; I could not do without the soil. And so I know that everything in Europe, both landscape and spirit, calmly negates you without feeling any rash hatred, but with the calm strength of victory. The weapons the European spirit can use against you are the same as reside in this soil constantly reawakening in blossoms and harvests. The battle we are waging is sure of victory because it is as obstinate as spring.