[...] It was this other side of Avery--the fact that he so visibly had an other side--that was helping me finally understand all three of the dimensions in Kafka: that a man could be a sweet, sympathetic, comically needy victim and a lascivious, self-aggrandizing, grudge-bearing bore, and also, crurically, a third thing: a flickering consciousness, a simultaneity of culpable urge and poignant self-reproach, a person in process.