by
Ed Park
My paper was on René Magritte. Lately I’d been captivated by any work of art that contained a work of art within it. A play within a play, a book within a book, a painting that depicted another, smaller painting. I had never paid attention to such things before. Was the interior work of art less “real” than the surrounding work? If so, why does our mind attribute levels of reality to what is, after all, just color on canvas? Since a painter can paint a painter painting a painting, could we ourselves be paintings, painted by some larger, divine painter—i.e., God? Pondering such things probably wouldn’t help me get into law school, but I couldn’t stop.