“Where's your wife? Where'd she run off to?”

Not even “Are you married?” He saw his hostess as a tough little pagan figure, with a goddess's gift for reading men's lives. He had a quick vision of himself clasping her knees and sobbing out the betrayal of his marriage, though he continued to sit upright, crumbling walnut cake so that he would not have to eat it.

“My wife,” he said, “insofar as I can still be said to have one, has gone to live in a warm climate.”

“She run off alone? Women don't often do that. They haven't got that kind of nerve.”

Stepping carefully, for he did not wish to sound like a stage cuckold or a male fool, Speck described in the lightest possible manner how Henriette had followed her lover, a teacher of literature, to a depressed part of French-speaking Africa where the inhabitants were suffering from a shortage of Racine. Unable to halt once he had started, he tore on toward the edge: Henriette was a hopeless nymphomaniac (she had fallen in love) who lacked any sense of values (the man was broke); she was at the same time a grasping neurotic (having sunk her savings in the gallery, she wanted a return with 14 percent interest).