It was in November, a bitterly cold night. I was wandering in search of a modest lodging, not so much for myself, accustomed to spend my nights in the open, on friendly terms with the bats and the stars, as for my portmanteau, which was my sole worldly possession, left behind in the railway cloakroom, when I happened to run into one of my friends from Sassari, of whom I had long lost sight: Simone Pau, a man of singular originality and freedom from prejudice. Hearing of my hapless plight, he proposed that I should come and sleep that night in his hotel. I accepted the invitation, and we set off on foot through the almost deserted streets. On our way, I told him of my many misadventures and of the frail hopes that had brought me to Rome. Every now and then Simone Pau raised his hat-less head, on which the long, sleek, grey hair was parted down the middle in flowing locks, but zigzag, the parting being made with his fingers, for want of a comb. These locks, drawn back behind his ears on either side, gave him a curious, scanty, irregular mane. He expelled a large mouthful of smoke, and stood for a while listening to me, with his huge swollen lips held apart, like those of an ancient comic mask. His crafty, mouselike eyes, sharp as needles, seemed to dart to and fro, as though trapped in his big, rugged, massive face, the face of a savage and unsophisticated peasant. I supposed him to have adopted this attitude, with his mouth open, to laugh at me, at my misfortunes and hopes. But, at a certain point in my recital, I saw him stop in the middle of the street lugubriously lighted by its gas lamps, and heard him say aloud in the silence of the night: