The reader senses that the man’s promiscuity, his faithlessness, is to blame for his being repeatedly rejected. But this sense is overridden, and deliberately, by the anger the reader also feels toward the women he has called. He has driven so far. He’s been driving for days. Can one of these women not offer him a meal, a bed, the comforts of her flesh, if only for one night? I read once that violence onscreen, even if it is designed to appall, argues, inevitably, for itself. That the viewer is always inherently intrigued and therefore aroused by it. That the visual fact of violence is titillating, even if the intent is to disgust. And so one feels not disgust but pity for the lone driver. The writer who depicts an abhorrent male character still demands that the reader pay the abhorrent man his attention.