Sanity depends on order. Within a month of leaving the Hotel Caiette and arriving in Jonathan Alkaitis’s absurdly enormous house in the Connecticut suburbs, Vincent had established a routine from which she seldom wavered. She rose at five a.m., a half hour earlier than Jonathan, and went jogging. By the time she returned to his house, he’d left for Manhattan. She was showered and dressed for the day by eight a.m., by which point Jonathan’s driver was available to take her to the train station—he repeatedly offered to drive her to the city, but she preferred the movement of trains to gridlocked traffic—and when she emerged into Grand Central Terminal she liked to linger for a while on her way across the main concourse, taking in the constellations of stars on the green ceiling, the Tiffany clock above the information booth, the crowds. She always had breakfast at a diner near the station, then made her way south toward lower Manhattan and a particular café where she liked to drink espresso and read newspapers, after which she went shopping or got her hair done or walked the streets with her video camera or some combination thereof, and if there was time she visited the Metropolitan Museum of Art for a while before she made her way back to Grand Central and a northbound train, in time to be home and dressed in something beautiful by six p.m., which was the earliest Jonathan would conceivably arrive home from the office.

She spent the evening with Jonathan but always found a half hour to go swimming at some point before bed. In the kingdom of money, as she thought of it, there were enormous swaths of time to fill, and she had intimations of danger in letting herself drift, in allowing a day to pass without a schedule or a plan.