He was a comrade of my brother Gregory, who had a feverish, poetic passion for extreme forms of organized society (forms that had long been alarming the meek constitution we then had) in the final years of his short life: he drowned at twenty-three, bathing one summer evening in a wide, very wide river, so that when I now recall my brother the first thing that comes to my mind is a shiny spread of water, an islet overgrown with alder (that he never reached but toward which he always swims through the trembling haze of my memory), and a long, black cloud crossing another, opulently fluffed-up and orange-colored one, all that is left of a Saturday-morning thunderstorm in the clear, turquoise Sunday’s-eve sky, where a star will shine through in a moment, where there will never be any star. At any time I was much too engrossed in the history of painting and in my dissertation on its cave origins to frequent watchfully the group of young people that had inveigled my brother; for that matter, as I recall, there was no definite group, but simply several youths who had drifted together, different in many respects but, for the time being, loosely bound by a common attraction to rebellious adventure. The present, however, always exercises such a perverse influence on reminiscence that now I involuntarily single him out against the indistinct background, awarding him (neither the closest nor the most vociferous of Gregory’s companions) the kind of somber, concentrated will deeply conscious of its sullen self, which in the end molds a giftless person into a triumphant monster.