It's not easy. There was a time I did see him from a distance, but I was too young. I looked at him from too far off. Friends had pointed him out to me at the Sorbonne; they spoke of him a great deal, with a mixture of admiration and disapproval. It was whispered that he drank and frequented brothels. If that had been true, I think it would have attracted rather than repelled me; I was still rebelling against my pious childhood. In my mind, sin was a touching manifestation of the absence of God, and if someone had told me that Dubreuilh raped little girls I'd have taken him for a saint of sorts. But his vices were minor and his too-well-established fame irritated me. When I began taking his courses, I had already made up my mind that the 'great man' was a charlatan. Of course, he was different from all the other professors. He would come rushing into the room like a gust of wind; he was always four or five minutes late. He would survey us for a moment with his large, crafty eyes, and then he would begin speaking in either a very amiable or a very aggressive voice. There was something provocative in his surly face, his violent voice, his bursts of laughter which sometimes seemed to us a little insane. He wore very white shirts, his hands were always carefully manicured, and he was impeccably shaven; it was impossible, therefore, to attribute to negligence his zipper jackets, his pullovers, his clumsy shoes. He preferred comfort to decency with such an obvious lack of restraint that I thought it affected. I had read his novels and didn't like them at all; I expected them to bring to me some inspiring message, and all they ever spoke to me of were indifferent people, frivolous sentiments, and a lot of other things that didn't seem to me the least bit essential. As for his courses, they were interesting all right, but he never really said anything worthy of a genius. And he was always so cocksure of being right that I had an irresistible desire to contradict him. Oh, I was convinced, too, that the truth was to the left; ever since my childhood I had sniffed an odour of stupidity and lies in bourgeois thinking, a very foul-smelling odour. And then I had learned from the Gospel that all men are equal, are brothers; that's one thing I continue to believe in with an unshakable faith. But spiritually, after I had been for so long crammed full of absolutes, the void left in the heavens made a mockery of all morality I had been taught. But Dubreuilh believed there could be salvation here on earth. I let him know where I stood in my first essay. 'Revolution, fine,' I said, 'but what then?' When he gave me back my paper a week later as we were leaving the classroom, he ridiculed my efforts. According to him, my absolute was the abstract dream of a petty bourgeoise incapable of facing reality. Of course I couldn't hold my own against him, and he won every round. But that didn't prove anything, and I told him as much. We resumed our discussion the following week and this time he tried to convince me, rather than overwhelm me. I had to admit that in private discussion he didn't at all seem to feel that he was a great man. He began chatting with me, rather often after classes, sometimes he walked home with me occasionally taking a longer route than was necessary. And then we began going out together in the afternoons, the evenings. We stopped talking about morality and politics and other lofty subjects. He told me about the people he knew and the things he did, and most of all he would take me for walks, show me streets, squares, quays, canals, cemeteries, suburbs, warehouses, vacant sites, little cafes, and a hundred corners of Paris that were completely new to me. And I began to realize that I had never really seen things I believed I had always known; with him everything took on a thousand meanings — faces, voices, people's clothing, a tree poster, a neon sign, no matter, what. I reread all his novels. And I soon realized I had completely misunderstood them the first time. Dubreuilh gave the impression of writing capriciously, for his own pleasure, completely without motivation. And yet on closing the book, you felt yourself overwhelmed with anger, disgust, revolt; you wanted things to change. To read certain passages from his works, you would take him for a pure aesthete; he has a feeling for words, and he's interested in things for themselves, in rain and clear skies, in the games of love and chance, in everything. Only he doesn't stop there; suddenly you find yourself thrown in among people, and all their problems become your concern. That's why I'm so determined for him to continue writing; I know through my own experience what he can bring to his readers. There's no gap between his political ideas and his poetic emotions. Because he himself loves life so much, he wants all men to be able to share it abundantly. And because he loves people, everything that's part of their lives interests him deeply.

[...] Up to then I hadn't been unhappy, but neither had I been happy. I was always in good health and occasionally I had moments which I enjoyed. But most of the time I was plainly and simply disconsolate. Foolishness, lies, injustice, suffering; all around me a deep, black chaos. And how absurd it all was! Those days which repeated themselves from week to week, from century to century, without ever getting anywhere. Living was simply a matter of waiting some forty or sixty years for death to come, trudging along through emptiness. That was why I studied so avidly: only books and ideas were able to hold their own; they alone seemed real to me.

[...] If now he finds himself condemned once more to impotence, to solitude, everything will seem useless to him, even writing. Especially writing. Between '25 and '32, when he was holding himself in check, he wrote, yes. But it was a lot different then. He still had close ties with the Communists and some of the Socialists; he nourished the hope of a united workers' front and of a final victory. I know by heart that phrase of Jaures he used to repeat at every opportunity: 'The man of tomorrow will be the most complex, the richest in life, that history has ever known.' He was convinced his books would help to build the future and that the man of tomorrow would read them. That being the case, he wrote. But faced with a sealed future, writing becomes meaningless. If his contemporaries stop listening to him, if posterity no longer understands him, there's nothing left but to be silent.

The next morning the radio confirmed the German collapse. 'It's really the beginning of peace,' Henri repeated to himself, sitting down at his desk. 'At last I can start writing again!' He would, he assured himself, write every day from now on. But what exactly would he write? He didn't know and he was perfectly content not to know; always before he had known only too well. Now he would attempt to talk to the reader without premeditation, as one writes to a friend: And perhaps he would at last succeed in saying all those things for which he had never found room enough in his too carefully constructed books. There are so many things one would like to preserve with words but which are forever lost. He raised his head and looked through the window at the cold sky. What a pity to think that this winter morning would be lost; everything seemed so precious: the white, virginal paper, the smell of alcohol and stale cigarette ends, the Arab music drifting up from the cafe next door. Notre Dame was as cold as the sky, a tramp with a. huge collar of bluish chicken feathers was dancing in the middle of the street, and two girls in their Sunday clothes were watching him and laughing. It was Christmas, it was the German collapse, and life was beginning again. Yes, all those mornings, all those evenings, that he had let slip through his fingers in the last four years, he was determined to make up for them during the next thirty. You can't say everything, that's true enough. But nevertheless you can try to get across the real flavour of your life. Every life has a flavour, a flavour all its own, and if you can't describe it, there's no point in writing. 'I've got to tell about what I liked, what I like, what I am,' he said to himself as he finished sketching a cluster of flowers on a scrap of paper. Who was he? What manner of man would he discover after that long absence? It's difficult, working from within, for a person to define himself, to set limits on himself. He wasn't a political fanatic, nor a literary aesthete, nor a dedicated man in any sense. Rather, he felt quite ordinary, and the feeling didn't upset him in the least. A man like everyone else, who spoke sincerely of himself, would speak in the name of everyone, for everyone. Complete sincerity: that was the only distinctive thing he felt he had to aim for, the only restriction he would have to impose upon himself. He added another flower to the cluster. But it isn't easy to be sincere. First of all, he had no intention of making an open confession. And secondly, whosoever says novel, says lie. Well, he would think about that later. For the moment, he had above all else to keep himself from becoming burdened with too many problems. Say anything, begin anywhere — beneath the moon in the gardens of El Oued. The paper was bare; he had to take advantage of it.

'When my friends were exiled to Siberia, I was in Vienna; when others were being slaughtered by the Brown Shirts in Vienna, I was in New York. What's so damned important about staying alive? That's the question that needs answering.'

I found myself moved by Scriassine's voice. We, too, felt ashamed whenever we thought of the deportees. No, we had nothing to blame ourselves for; it was just that we hadn't suffered enough.

'The misfortunes you don't actually share ... well, it's as if you were to blame for them,' I said. 'And it's a horrible thing to feel guilty.'

There was a brief silence and then I asked, 'Why should a woman who's free to do as she pleases sleep with everyone on earth?'

He looked at me severely. 'If a man, a man for whom you might have a little liking, asked you straight out to spend the night with him, would you do it?'

'That depends.'

'On what?'

'On him, on me, on the circumstances.'

'Let's suppose that I asked you now. What then?'

'I don't know.'

I had seen it coming ever since we broached the subject but, nevertheless I was taken by surprise.

It would have been too difficult to explain my feeling. There was a look of hate in his eyes and I was ashamed to have let myself be taken in by the mirage of carnal pleasure. A man, I discovered, isn't a Turkish bath.

'I have to leave soon, you know,' I said.

'Not right away. Don't go. Don't leave me!' He grabbed me by the shoulders. I was a life preserver. But in what shipwreck?

'Thirty-nine years!' I said aloud. Before the war I was too young for the years to have weighed upon me. And then for five years, I forgot myself completely. And now I've found myself again, only to learn that I'm condemned. Old age is awaiting me; there's no escaping it. Even now I can see its beginnings in the depths of the mirror. Oh, I'm still a woman, I still bleed every month. Nothing's really changed, except that now. I know. I ran my fingers through my hair. Those white streaks are no longer a curiosity, a sign; they're the beginning. In a few years, my head will be the colour of my bones. My face still seems smooth and firm, but overnight the mask will melt, laying bare the rheumy eyes of an old woman. Each year the seasons repeat themselves; wounds are healed. But there's no way in the world to halt the infirmities of age. 'There isn't even any time left to worry about it,' I thought, turning away from my reflection. 'It's even too late for regrets. There's nothing left to do but to keep going.'

They exchanged a soft, lingering look. A few hours later he was holding her naked body in his arms and saying, 'You're too beautiful, much too beautiful.' No, he really couldn't blame himself. How could he have helped but be captivated by Paula's beauty, by her voice, by the mystery of her words, by the distant wisdom in her smile? She was slightly older than he, knew many things of which he was ignorant and which seemed at that time much more important to him than the bigger things. What he admired in her above all was her complete disdain for worldly goods; she soared in some supernatural region, and he despaired of ever joining her there. He was amazed that she permitted herself to become flesh in his arms. 'Naturally, it went to my head a little,' he admitted to himself. And she, for her part, had believed in his declarations of eternal love and in the miracle of being herself. Therein no doubt was where he had been guilty -- by first exalting Paula immoderately and then too lucidly taking her true measure. Yes, they had both made mistakes. But that wasn't the question; the question now was to break it off. He turned over words in his mind. Did she have any suspicion of what was about to come? Generally, when he remained silent for any length of time, she was quick to question him.