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This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

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157

They are in the botanical garden, near the Cathedral of All Saints. She sees one tear and leans forward and licks it, taking it into her mouth. As she has taken the blood from his hand when he cut himself cooking for her. Blood. Tear. He feels everything is missing from his body, feels he contains smoke. All that is alive is the knowledge of future desire and want. What he would say he cannot say to this woman whose openness is like a wound, whose youth is not mortal yet. He cannot alter what he loves most in her, her lack of compromise, where the romance of the poems she loves still sits with ease in the real world. Outside these qualities he knows there is no order in the world.

—p.157 Katharine (147) by Michael Ondaatje 1 year, 1 month ago

They are in the botanical garden, near the Cathedral of All Saints. She sees one tear and leans forward and licks it, taking it into her mouth. As she has taken the blood from his hand when he cut himself cooking for her. Blood. Tear. He feels everything is missing from his body, feels he contains smoke. All that is alive is the knowledge of future desire and want. What he would say he cannot say to this woman whose openness is like a wound, whose youth is not mortal yet. He cannot alter what he loves most in her, her lack of compromise, where the romance of the poems she loves still sits with ease in the real world. Outside these qualities he knows there is no order in the world.

—p.157 Katharine (147) by Michael Ondaatje 1 year, 1 month ago
158

From this point on in our lives, she had whispered to him earlier, we will either find or lose our souls.

How does this happen? To fall in love and be disassembled.

I was in her arms. I had pushed the sleeve of her shirt up to the shoulder so I could see her vaccination scar. I love this, I said. This pale aureole on her arm. I see the instrument scratch and then punch the serum within her and then release itself, free of her skin, years ago, when she was nine years old, in a school gymnasium.

—p.158 Katharine (147) by Michael Ondaatje 1 year, 1 month ago

From this point on in our lives, she had whispered to him earlier, we will either find or lose our souls.

How does this happen? To fall in love and be disassembled.

I was in her arms. I had pushed the sleeve of her shirt up to the shoulder so I could see her vaccination scar. I love this, I said. This pale aureole on her arm. I see the instrument scratch and then punch the serum within her and then release itself, free of her skin, years ago, when she was nine years old, in a school gymnasium.

—p.158 Katharine (147) by Michael Ondaatje 1 year, 1 month ago
162

‘Madox, what is the name of that hollow at the base of a woman’s neck? At the front. Here. What is it, does it have an official name? That hollow about the size of an impress of your thumb?’

Madox watches me for a moment through the noon glare.

‘Pull yourself together,’ he mutters.

—p.162 A Buried Plane (159) by Michael Ondaatje 1 year, 1 month ago

‘Madox, what is the name of that hollow at the base of a woman’s neck? At the front. Here. What is it, does it have an official name? That hollow about the size of an impress of your thumb?’

Madox watches me for a moment through the noon glare.

‘Pull yourself together,’ he mutters.

—p.162 A Buried Plane (159) by Michael Ondaatje 1 year, 1 month ago
170

He himself would have been happier to die in a cave, with its privacy, the swimmers caught in the rock around them. Bermann had told him that in Asian gardens you could look at rock and imagine water, you could gaze at a still pool and believe it had the hardness of rock. But she was a woman who had grown up within gardens, among moistness, with words like trellis and hedgehog. Her passion for the desert was temporary. She’d come to love its sternness because of him, wanting to understand his comfort in its solitude. She was always happier in rain, in bathrooms steaming with liquid air, in sleepy wetness, climbing back in from his window that rainy night in Cairo and putting on her clothes while still wet, in order to hold it all. Just as she loved family traditions and courteous ceremony and old memorized poems. She would have hated to die without a name. For her there was a line back to her ancestors that was tactile, whereas he had erased the path he had emerged from. He was amazed she had loved him in spite of such qualities of anonymity in himself.

—p.170 A Buried Plane (159) by Michael Ondaatje 1 year, 1 month ago

He himself would have been happier to die in a cave, with its privacy, the swimmers caught in the rock around them. Bermann had told him that in Asian gardens you could look at rock and imagine water, you could gaze at a still pool and believe it had the hardness of rock. But she was a woman who had grown up within gardens, among moistness, with words like trellis and hedgehog. Her passion for the desert was temporary. She’d come to love its sternness because of him, wanting to understand his comfort in its solitude. She was always happier in rain, in bathrooms steaming with liquid air, in sleepy wetness, climbing back in from his window that rainy night in Cairo and putting on her clothes while still wet, in order to hold it all. Just as she loved family traditions and courteous ceremony and old memorized poems. She would have hated to die without a name. For her there was a line back to her ancestors that was tactile, whereas he had erased the path he had emerged from. He was amazed she had loved him in spite of such qualities of anonymity in himself.

—p.170 A Buried Plane (159) by Michael Ondaatje 1 year, 1 month ago
170

She was on her back, positioned the way the mediaeval dead lie.

I approached her naked as I would have done in our South Cairo room, wanting to undress her, still wanting to love her.

What is terrible in what I did? Don’t we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it. You can make love to a woman with a broken arm, or a woman with fever. She once sucked blood from a cut on my hand as I had tasted and swallowed her menstrual blood. There are some European words you can never translate properly into another language. Félhomály. The dusk of graves. With the connotation of intimacy there between the dead and the living.

are you serious. i think i missed this the first time but ...

—p.170 A Buried Plane (159) by Michael Ondaatje 1 year, 1 month ago

She was on her back, positioned the way the mediaeval dead lie.

I approached her naked as I would have done in our South Cairo room, wanting to undress her, still wanting to love her.

What is terrible in what I did? Don’t we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it. You can make love to a woman with a broken arm, or a woman with fever. She once sucked blood from a cut on my hand as I had tasted and swallowed her menstrual blood. There are some European words you can never translate properly into another language. Félhomály. The dusk of graves. With the connotation of intimacy there between the dead and the living.

are you serious. i think i missed this the first time but ...

—p.170 A Buried Plane (159) by Michael Ondaatje 1 year, 1 month ago
172

He suspected she had replaced him with another lover. He interpreted her every gesture to others as a code of promise. She gripped the front of Roundell’s jacket once in a lobby and shook it, laughing at him as he muttered something, and he followed the innocent government aide for two days to see if there was more between them. He did not trust her last endearments to him anymore. She was with him or against him. She was against him. He couldn’t stand even her tentative smiles at him. If she passed him a drink he would not drink it. If at a dinner she pointed to a bowl with a Nile lily floating in it he would not look at it. Just another fucking flower. She had a new group of intimates that excluded him and her husband. No one goes back to the husband. He knew that much about love and human nature.

He bought pale brown cigarette papers and glued them into sections of The Histories that recorded wars that were of no interest to him. He wrote down all her arguments against him. Glued into the book – giving himself only the voice of the watcher, the listener, the ‘he.’

argh

—p.172 A Buried Plane (159) by Michael Ondaatje 1 year, 1 month ago

He suspected she had replaced him with another lover. He interpreted her every gesture to others as a code of promise. She gripped the front of Roundell’s jacket once in a lobby and shook it, laughing at him as he muttered something, and he followed the innocent government aide for two days to see if there was more between them. He did not trust her last endearments to him anymore. She was with him or against him. She was against him. He couldn’t stand even her tentative smiles at him. If she passed him a drink he would not drink it. If at a dinner she pointed to a bowl with a Nile lily floating in it he would not look at it. Just another fucking flower. She had a new group of intimates that excluded him and her husband. No one goes back to the husband. He knew that much about love and human nature.

He bought pale brown cigarette papers and glued them into sections of The Histories that recorded wars that were of no interest to him. He wrote down all her arguments against him. Glued into the book – giving himself only the voice of the watcher, the listener, the ‘he.’

argh

—p.172 A Buried Plane (159) by Michael Ondaatje 1 year, 1 month ago
173

You think you are an iconoclast, but you’re not. You just move, or replace what you cannot have. If you fail at something you retreat into something else. Nothing changes you. How many women did you have? I left you because I knew I could never change you. You would stand in the room so still sometimes, so wordless sometimes, as if the greatest betrayal of yourself would be to reveal one more inch of your character.

—p.173 A Buried Plane (159) by Michael Ondaatje 1 year, 1 month ago

You think you are an iconoclast, but you’re not. You just move, or replace what you cannot have. If you fail at something you retreat into something else. Nothing changes you. How many women did you have? I left you because I knew I could never change you. You would stand in the room so still sometimes, so wordless sometimes, as if the greatest betrayal of yourself would be to reveal one more inch of your character.

—p.173 A Buried Plane (159) by Michael Ondaatje 1 year, 1 month ago
188

They met a very hearty Lord Suffolk during lunch, who poured wine for anyone who wanted it, and laughed loudly at every attempt at a joke by the recruits. In the afternoon they were all given a strange exam in which a piece of machinery had to be put back together without any prior information of what it was used for. They were allowed two hours but could leave as soon as the problem was solved. Singh finished the exam quickly and spent the rest of the time inventing other objects that could be made from the various components. He sensed he would be admitted easily if it were not for his race. He had come from a country where mathematics and mechanics were natural traits. Cars were never destroyed. Parts of them were carried across a village and readapted into a sewing machine or water pump. The backseat of a Ford was reupholstered and became a sofa. Most people in his village were more likely to carry a spanner or screw-driver than a pencil. A car’s irrelevant parts thus entered a grandfather clock or irrigation pulley or the spinning mechanism of an office chair. Antidotes to mechanized disaster were easily found. One cooled an overheating car engine not with new rubber hoses but by scooping up cow shit and patting it around the condenser. What he saw in England was a surfeit of parts that would keep the continent of India going for two hundred years.

lol

—p.188 In Situ (179) by Michael Ondaatje 1 year, 1 month ago

They met a very hearty Lord Suffolk during lunch, who poured wine for anyone who wanted it, and laughed loudly at every attempt at a joke by the recruits. In the afternoon they were all given a strange exam in which a piece of machinery had to be put back together without any prior information of what it was used for. They were allowed two hours but could leave as soon as the problem was solved. Singh finished the exam quickly and spent the rest of the time inventing other objects that could be made from the various components. He sensed he would be admitted easily if it were not for his race. He had come from a country where mathematics and mechanics were natural traits. Cars were never destroyed. Parts of them were carried across a village and readapted into a sewing machine or water pump. The backseat of a Ford was reupholstered and became a sofa. Most people in his village were more likely to carry a spanner or screw-driver than a pencil. A car’s irrelevant parts thus entered a grandfather clock or irrigation pulley or the spinning mechanism of an office chair. Antidotes to mechanized disaster were easily found. One cooled an overheating car engine not with new rubber hoses but by scooping up cow shit and patting it around the condenser. What he saw in England was a surfeit of parts that would keep the continent of India going for two hundred years.

lol

—p.188 In Situ (179) by Michael Ondaatje 1 year, 1 month ago
192

With the bright light, the porousness of the metal jumped into precise focus. Now he forgot everything except distrust. Lord Suffolk had said you can have a brilliant chess player at seventeen, even thirteen, who might beat a grand master. But you can never have a brilliant bridge player at that age. Bridge depends on character. Your character and the character of your opponents. You must consider the character of your enemy. This is true of bomb disposal. It is two-handed bridge. You have one enemy. You have no partner. Sometimes for my exam I make them play bridge. People think a bomb is a mechanical object, a mechanical enemy. But you have to consider that somebody made it.

—p.192 In Situ (179) by Michael Ondaatje 1 year, 1 month ago

With the bright light, the porousness of the metal jumped into precise focus. Now he forgot everything except distrust. Lord Suffolk had said you can have a brilliant chess player at seventeen, even thirteen, who might beat a grand master. But you can never have a brilliant bridge player at that age. Bridge depends on character. Your character and the character of your opponents. You must consider the character of your enemy. This is true of bomb disposal. It is two-handed bridge. You have one enemy. You have no partner. Sometimes for my exam I make them play bridge. People think a bomb is a mechanical object, a mechanical enemy. But you have to consider that somebody made it.

—p.192 In Situ (179) by Michael Ondaatje 1 year, 1 month ago
230

After that month in Cairo she was muted, read constantly, kept more to herself, as if something had occurred or she realized suddenly that wondrous thing about the human being, it can change. She did not have to remain a socialite who had married an adventurer. She was discovering herself. It was painful to watch, because Clifton could not see it, her self-education. She read everything about the desert. She could talk about Uweinat and the lost oasis, had even hunted down marginal articles.

I was a man fifteen years older than she, you understand. I had reached that stage in life where I identified with cynical villains in a book. I don’t believe in permanence, in relationships that span ages. I was fifteen years older. But she was smarter. She was hungrier to change than I expected.

—p.230 The Cave of Swimmers (227) by Michael Ondaatje 1 year, 1 month ago

After that month in Cairo she was muted, read constantly, kept more to herself, as if something had occurred or she realized suddenly that wondrous thing about the human being, it can change. She did not have to remain a socialite who had married an adventurer. She was discovering herself. It was painful to watch, because Clifton could not see it, her self-education. She read everything about the desert. She could talk about Uweinat and the lost oasis, had even hunted down marginal articles.

I was a man fifteen years older than she, you understand. I had reached that stage in life where I identified with cynical villains in a book. I don’t believe in permanence, in relationships that span ages. I was fifteen years older. But she was smarter. She was hungrier to change than I expected.

—p.230 The Cave of Swimmers (227) by Michael Ondaatje 1 year, 1 month ago