Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.
252

At the movies he is tender, caressing your hand beneath the seat.

At concerts he is sweet and attentive, buying cocktails, locating the ladies’ lounge when you can’t find it.

At museums he is wise and loving, leading you slowly through the Etruscan cinerary urns with affectionate gestures and an art history minor from Columbia. He is kind; he laughs at your jokes.

After four movies, three concerts, and two-and-a-half museums, you sleep with him. It seems the right number of cultural events. On the ste-reo you play your favorite harp and oboe music. He tells you his wife's name. It is Patricia. She is an intellectual property lawyer. He tells you he likes you a lot. You lie on your stomach, naked and still too warm.

When he says, “How do you feel about that?” don’t say “Ridiculous” or

“Get the hell out of my apartment.” Prop your head up with one hand and say: “It depends. What is intellectual property law?”

He grins. “Oh, you know. Where leisure is a suit.” Give him a tight, wiry little smile.

“I just don’t want you to feel uncomfortable about this,” he says.

Say: “Hey. I am a very cool person. I am tough.” Show him your bicep.

STOP

—p.252 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago

At the movies he is tender, caressing your hand beneath the seat.

At concerts he is sweet and attentive, buying cocktails, locating the ladies’ lounge when you can’t find it.

At museums he is wise and loving, leading you slowly through the Etruscan cinerary urns with affectionate gestures and an art history minor from Columbia. He is kind; he laughs at your jokes.

After four movies, three concerts, and two-and-a-half museums, you sleep with him. It seems the right number of cultural events. On the ste-reo you play your favorite harp and oboe music. He tells you his wife's name. It is Patricia. She is an intellectual property lawyer. He tells you he likes you a lot. You lie on your stomach, naked and still too warm.

When he says, “How do you feel about that?” don’t say “Ridiculous” or

“Get the hell out of my apartment.” Prop your head up with one hand and say: “It depends. What is intellectual property law?”

He grins. “Oh, you know. Where leisure is a suit.” Give him a tight, wiry little smile.

“I just don’t want you to feel uncomfortable about this,” he says.

Say: “Hey. I am a very cool person. I am tough.” Show him your bicep.

STOP

—p.252 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago
253

He is a systems analyst—you have already exhausted this joke—but what he really wants to be, he reveals to you, is an actor.

“Well, how did you become a systems analyst?” you ask, funny you.

“The same way anyone becomes anything,” he muses. “I took courses and sent out resumes.” Pause. “Patricia helped me work up a great resume. Too great.”

“Oh.” Wonder about mistress courses, certification, resumes. Perhaps you are not really qualified.

“But I’m not good at systems work,” he says, staring through and beyond, way beyond, the cracked ceiling. “Figuring out the cost-effectiveness of two hundred people shuffling five hundred pages back and forth across a new four-and-a-half-by-three-foot desk. I’m not an organized person, like Patricia, for instance. She ’s just incredibly organized. She makes lists for everything. It ’s pretty impressive.” Say flatly, dully: “What?”

“That she makes lists.”

“That she makes lists? You like that?”

“Well, yes. You know, what she ’s going to do, what she has to buy, names of clients she has to see, et cetera.”

“Lists?” you murmur hopelessly, listlessly, your expensive beige raincoat still on. There is a long, tired silence. Lists? You stand up, brush off your coat, ask him what he would like to drink, then stump off to the kitchen without waiting for the answer.

—p.253 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago

He is a systems analyst—you have already exhausted this joke—but what he really wants to be, he reveals to you, is an actor.

“Well, how did you become a systems analyst?” you ask, funny you.

“The same way anyone becomes anything,” he muses. “I took courses and sent out resumes.” Pause. “Patricia helped me work up a great resume. Too great.”

“Oh.” Wonder about mistress courses, certification, resumes. Perhaps you are not really qualified.

“But I’m not good at systems work,” he says, staring through and beyond, way beyond, the cracked ceiling. “Figuring out the cost-effectiveness of two hundred people shuffling five hundred pages back and forth across a new four-and-a-half-by-three-foot desk. I’m not an organized person, like Patricia, for instance. She ’s just incredibly organized. She makes lists for everything. It ’s pretty impressive.” Say flatly, dully: “What?”

“That she makes lists.”

“That she makes lists? You like that?”

“Well, yes. You know, what she ’s going to do, what she has to buy, names of clients she has to see, et cetera.”

“Lists?” you murmur hopelessly, listlessly, your expensive beige raincoat still on. There is a long, tired silence. Lists? You stand up, brush off your coat, ask him what he would like to drink, then stump off to the kitchen without waiting for the answer.

—p.253 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago
254

Ask Hilda if she will go to lunch with you. Over Reuben sandwiches ask her if she ’s ever had an affair with a married man. As she attempts, mid-bite, to complete the choreography of her chomp, Russian dressing spurts out onto her hands.

“Once,” she says. “That was the last lover I had. That was over two years ago.”

Say: “Oh my god,” as if it were horrible and tragic, then try to miti-gate that rudeness by clearing your throat and saying, “Well, actually, I guess that ’s not so bad.”

“No,” she sighs good-naturedly. “His wife had Hodgkin’s disease, or so everyone thought. When they came up with the correct diagnosis, something that wasn’t nearly so awful, he went back to her. Does that make sense to you?”

“I suppose,” say doubtfully.

“Yeah, maybe you’re right.” Hilda is still cleaning Reuben off the backs of her hands with a napkin. “At any rate, who are you involved with?”

“Someone who has a wife that makes lists. She has Listmaker’s disease.”

“What are you going to do?”

“I don’t know.”

“Yeah,” says Hilda. “That ’s typical.”

—p.254 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago

Ask Hilda if she will go to lunch with you. Over Reuben sandwiches ask her if she ’s ever had an affair with a married man. As she attempts, mid-bite, to complete the choreography of her chomp, Russian dressing spurts out onto her hands.

“Once,” she says. “That was the last lover I had. That was over two years ago.”

Say: “Oh my god,” as if it were horrible and tragic, then try to miti-gate that rudeness by clearing your throat and saying, “Well, actually, I guess that ’s not so bad.”

“No,” she sighs good-naturedly. “His wife had Hodgkin’s disease, or so everyone thought. When they came up with the correct diagnosis, something that wasn’t nearly so awful, he went back to her. Does that make sense to you?”

“I suppose,” say doubtfully.

“Yeah, maybe you’re right.” Hilda is still cleaning Reuben off the backs of her hands with a napkin. “At any rate, who are you involved with?”

“Someone who has a wife that makes lists. She has Listmaker’s disease.”

“What are you going to do?”

“I don’t know.”

“Yeah,” says Hilda. “That ’s typical.”

—p.254 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago
256

Whisper, “Don’t go yet,” as he glides out of your bed before sunrise and you lie there on your back cooling, naked between the sheets and smelling of musky, oniony sweat. Feel gray, like an abandoned locker room towel. Watch him as he again pulls on his pants, his sweater, his socks and shoes. Reach out and hold his thigh as he leans over and kisses you quickly, telling you not to get up, that he ’ll lock the door when he leaves. In the smoky darkness, you see him smile weakly, guiltily, and attempt a false, jaunty wave from the doorway. Turn on your side, toward the wall, so you don’t have to watch the door close. You hear it thud nonetheless, the jangle of keys and snap of the bolt lock, the footsteps loud, then fading down the staircase, the clunk of the street door, then nothing, all his sounds blending with the city, his face passing namelessly uptown in a bus or a badly heated cab, the room, the whole building you live in, shuddering at the windows as a truck roars by toward the Queensboro Bridge.

Wonder who you are.

STOPPPPPP

[for stunt, have MC be on the other side of this, being watched by her, wondering what she is thinking, paranoid that she is happy to have him leave so she can go out etc]

—p.256 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago

Whisper, “Don’t go yet,” as he glides out of your bed before sunrise and you lie there on your back cooling, naked between the sheets and smelling of musky, oniony sweat. Feel gray, like an abandoned locker room towel. Watch him as he again pulls on his pants, his sweater, his socks and shoes. Reach out and hold his thigh as he leans over and kisses you quickly, telling you not to get up, that he ’ll lock the door when he leaves. In the smoky darkness, you see him smile weakly, guiltily, and attempt a false, jaunty wave from the doorway. Turn on your side, toward the wall, so you don’t have to watch the door close. You hear it thud nonetheless, the jangle of keys and snap of the bolt lock, the footsteps loud, then fading down the staircase, the clunk of the street door, then nothing, all his sounds blending with the city, his face passing namelessly uptown in a bus or a badly heated cab, the room, the whole building you live in, shuddering at the windows as a truck roars by toward the Queensboro Bridge.

Wonder who you are.

STOPPPPPP

[for stunt, have MC be on the other side of this, being watched by her, wondering what she is thinking, paranoid that she is happy to have him leave so she can go out etc]

—p.256 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago
258

Slip carefully out, like a shoe horn, from beneath his sleeping body—he grunts groggily—and go to the closet. Open it with a mini-mum of squeaking and stare at her clothes. A few suits. Looks like beige blouses and a lot of brown things. Turn on the closet light. Look at the shoes. They are all lined up in neat, married pairs on the closet floor. Black pumps, blue sneakers, brown moccasins, brown T-straps. They have been to an expensive college, say, in Massachusetts. Gaze into her shoes. Her feet are much larger than yours. They are like small cruise missiles.

lol

—p.258 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago

Slip carefully out, like a shoe horn, from beneath his sleeping body—he grunts groggily—and go to the closet. Open it with a mini-mum of squeaking and stare at her clothes. A few suits. Looks like beige blouses and a lot of brown things. Turn on the closet light. Look at the shoes. They are all lined up in neat, married pairs on the closet floor. Black pumps, blue sneakers, brown moccasins, brown T-straps. They have been to an expensive college, say, in Massachusetts. Gaze into her shoes. Her feet are much larger than yours. They are like small cruise missiles.

lol

—p.258 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago
260
  1. Fallen in love(?) Out of control. Who is this? Who am I? And who is this wife with the skis and the nostrils and the Tylenol and does she have orgasms?

  2. Reclaim yourself. Pieces have fluttered away.

  3. Everything you do is a masochistic act. Why?

  4. Don’t you like yourself ? Don’t you deserve better than all of this?

  5. Need: something to lift you from your boots out into the sky, something to make you like little things again, to whirl around the curves of your ears and muss up your hair and call you every single day.

  6. A drug.

  7. A man.

  8. A religion.

  9. A good job. Revise and send out resumes.

  10. Remember what Mrs. Kloosterman told the class in second grade: Just be glad you have legs.

ack

—p.260 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago
  1. Fallen in love(?) Out of control. Who is this? Who am I? And who is this wife with the skis and the nostrils and the Tylenol and does she have orgasms?

  2. Reclaim yourself. Pieces have fluttered away.

  3. Everything you do is a masochistic act. Why?

  4. Don’t you like yourself ? Don’t you deserve better than all of this?

  5. Need: something to lift you from your boots out into the sky, something to make you like little things again, to whirl around the curves of your ears and muss up your hair and call you every single day.

  6. A drug.

  7. A man.

  8. A religion.

  9. A good job. Revise and send out resumes.

  10. Remember what Mrs. Kloosterman told the class in second grade: Just be glad you have legs.

ack

—p.260 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago
261

“Who is he?” says your mom, later, in the kitchen after you’ve washed the dishes.

“He ’s a systems analyst.”

“What do they do?”

“Oh . . . they get married a lot. They’re usually always married.”

“Charlene, are you having an affair with a married man?”

“Ma, do you have to put it that way?”

“You are asking for big trouble,” she says, slowly, and resumes polishing silver with a vehement energy.

Wonder why she always polishes the silver after meals.

Lean against the refrigerator and play with the magnets.

Say, softly, carefully: “I know, Mother, it ’s not something you would do.”

She looks up at you, her mouth trembling, pieces of her brown-gray hair dangling in her salty eyes, pink silverware cream caking onto her hands, onto her wedding ring. She stops, puts a spoon down, looks away and then hopelessly back at you, like a very young girl, and, shaking her head, bursts into tears.

—p.261 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago

“Who is he?” says your mom, later, in the kitchen after you’ve washed the dishes.

“He ’s a systems analyst.”

“What do they do?”

“Oh . . . they get married a lot. They’re usually always married.”

“Charlene, are you having an affair with a married man?”

“Ma, do you have to put it that way?”

“You are asking for big trouble,” she says, slowly, and resumes polishing silver with a vehement energy.

Wonder why she always polishes the silver after meals.

Lean against the refrigerator and play with the magnets.

Say, softly, carefully: “I know, Mother, it ’s not something you would do.”

She looks up at you, her mouth trembling, pieces of her brown-gray hair dangling in her salty eyes, pink silverware cream caking onto her hands, onto her wedding ring. She stops, puts a spoon down, looks away and then hopelessly back at you, like a very young girl, and, shaking her head, bursts into tears.

—p.261 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago
262

“I’m thinking of telling Patricia about us.” Be skeptical. Ask: “What will you say?”

He proceeds confidently: “I’ll go, ‘Dear, there ’s something I have to tell you.’ ”

“And she ’ll look over at you from her briefcase full of memoranda and say: ‘Hmmmmmm?’ ”

“And I’ll say, ‘Dear, I think I’m falling in love with another woman, and I know I’m having sex with her.’ ”

“And she ’ll say, ‘Oh my god, what did you say?’ ”

“And I’ll say: ‘Sex.’ ”

“And she ’ll start weeping inconsolably and then what will you do?” There is a silence, still as the moon. He shifts his legs, seems confused. “I’ll . . . tell her I was just kidding.” He squeezes your hand.

NO

—p.262 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago

“I’m thinking of telling Patricia about us.” Be skeptical. Ask: “What will you say?”

He proceeds confidently: “I’ll go, ‘Dear, there ’s something I have to tell you.’ ”

“And she ’ll look over at you from her briefcase full of memoranda and say: ‘Hmmmmmm?’ ”

“And I’ll say, ‘Dear, I think I’m falling in love with another woman, and I know I’m having sex with her.’ ”

“And she ’ll say, ‘Oh my god, what did you say?’ ”

“And I’ll say: ‘Sex.’ ”

“And she ’ll start weeping inconsolably and then what will you do?” There is a silence, still as the moon. He shifts his legs, seems confused. “I’ll . . . tell her I was just kidding.” He squeezes your hand.

NO

—p.262 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago
263

Shave your legs in the bathroom sink. Philosophize: you are a mistress, part of a great hysterical you mean historical tradition. Wives are like cockroaches. Also part of a great historical tradition. They will survive you after a nuclear attack—they are tough and hardy and travel in packs—but right now they’re not having any fun. And when you look in the bathroom mirror, you spot them scurrying, up out of reach behind you.

god she's amazing

—p.263 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago

Shave your legs in the bathroom sink. Philosophize: you are a mistress, part of a great hysterical you mean historical tradition. Wives are like cockroaches. Also part of a great historical tradition. They will survive you after a nuclear attack—they are tough and hardy and travel in packs—but right now they’re not having any fun. And when you look in the bathroom mirror, you spot them scurrying, up out of reach behind you.

god she's amazing

—p.263 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago
264

[...] With the glassed candle by your bed lit and burning away, doze off and on, arranged with excruciating care on top of the covers, the window lamp on in the living room, the door unlocked for him in case he arrives in a passionate flurry, forgetting his key. Six blocks from Fourteenth Street: you are risking your life for him, spread out like a ridiculous cake on the bed, waiting with the door unlocked, thinking you hear him on the stairs, but no. You should have a corsage, you think to yourself. You should have a goddamned orchid pinned to the chest of your long flowing hostess coat, then you would be appropriately absurd. Think: What has happened to me? Why am I lying like this on top of my covers with too much Jontue and mascara and jewelry, pretending casually that this is how I always go to bed, while a pervert with six new steak knives is about to sneak through my unlocked door. Remember: at Blakely Falls High, Willis Holmes would have done anything to be with you. You don’t have to put up with this: you were second runner-up at the Junior Prom.

—p.264 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago

[...] With the glassed candle by your bed lit and burning away, doze off and on, arranged with excruciating care on top of the covers, the window lamp on in the living room, the door unlocked for him in case he arrives in a passionate flurry, forgetting his key. Six blocks from Fourteenth Street: you are risking your life for him, spread out like a ridiculous cake on the bed, waiting with the door unlocked, thinking you hear him on the stairs, but no. You should have a corsage, you think to yourself. You should have a goddamned orchid pinned to the chest of your long flowing hostess coat, then you would be appropriately absurd. Think: What has happened to me? Why am I lying like this on top of my covers with too much Jontue and mascara and jewelry, pretending casually that this is how I always go to bed, while a pervert with six new steak knives is about to sneak through my unlocked door. Remember: at Blakely Falls High, Willis Holmes would have done anything to be with you. You don’t have to put up with this: you were second runner-up at the Junior Prom.

—p.264 HOW TO BE AN OTHER WOMAN (251) by Lorrie Moore 11 months ago