? (2012). Conversations with David Foster Wallace. University Press of Mississippi.
a collection of interviews gathered after Wallace's death
1 / 0profiling DFW as he teaches English 210 (Introduction to Writing Fiction) at the University of Arizona, soon after Broom was published. DFW gives a very condensed, edited version of his life story
profiling DFW as he teaches English 210 (Introduction to Writing Fiction) at the University of Arizona, soon after Broom was published. DFW gives a very condensed, edited version of his life story
1 / 0a profile on DFW and Broom, right before he goes off to Yaddo
a profile on DFW and Broom, right before he goes off to Yaddo
1 / 0after Broom and GCH are published. really good and in-depth. the interviewers ask him about Broom, what he thinks about MFA programs, GCH's intergenerational issues, fiction being life-affirming, his favourite contemporary authors.
after Broom and GCH are published. really good and in-depth. the interviewers ask him about Broom, what he thinks about MFA programs, GCH's intergenerational issues, fiction being life-affirming, his favourite contemporary authors.
1 / 1from The Review of Contemporary Fiction, summer 1993; preceding his E Unibus Pluram essay. they talk about: the essay and its themes; Westward; the meaning of fiction and the problem with writers like Bret Easton Ellis; the difficulty of art within late capitalism; the "click" and how he got it from Barthelme's "The Balloon"; his philosophy/math background; thoughts on postmodernism and metafiction; Wittgenstein; Signifying Rap; "we're going to have to be the parents" (p52). so many great quotes
from The Review of Contemporary Fiction, summer 1993; preceding his E Unibus Pluram essay. they talk about: the essay and its themes; Westward; the meaning of fiction and the problem with writers like Bret Easton Ellis; the difficulty of art within late capitalism; the "click" and how he got it from Barthelme's "The Balloon"; his philosophy/math background; thoughts on postmodernism and metafiction; Wittgenstein; Signifying Rap; "we're going to have to be the parents" (p52). so many great quotes
11 / 6from Chicago Tribune, feb 1996, soon after IJ was published. summarizes all the positive press. profile of DFW and how he came to write IJ as well as how he's reacting to all the positive press, which some original DFW quotes scattered throughout.
from Chicago Tribune, feb 1996, soon after IJ was published. summarizes all the positive press. profile of DFW and how he came to write IJ as well as how he's reacting to all the positive press, which some original DFW quotes scattered throughout.
0 / 0from Salon, march 8 1996. soon after IJ. introductory paragraph then really good Q&A style interview on how he came to write IJ, what it's like to write today, his personal writing influences; what it's like to teach at ISU.
from Salon, march 8 1996. soon after IJ. introductory paragraph then really good Q&A style interview on how he came to write IJ, what it's like to write today, his personal writing influences; what it's like to teach at ISU.
1 / 2from Details, March 1996; about IJ and how DFW has just bought a house in Normal, Illinois. very little original DFW material, but he does mention that he was brought up an atheist and is half-heartedly trying to become a Catholic
from Details, March 1996; about IJ and how DFW has just bought a house in Normal, Illinois. very little original DFW material, but he does mention that he was brought up an atheist and is half-heartedly trying to become a Catholic
0 / 1from Boston Phoenix, march 1996; interview & profile during his IJ promotional tour. a bit on his relationship with the reader, but nothing that hasn't been covered more extensively elsewhere
from Boston Phoenix, march 1996; interview & profile during his IJ promotional tour. a bit on his relationship with the reader, but nothing that hasn't been covered more extensively elsewhere
2 / 0from _Seattle Times, march 1997. right after Supposedly was published. on today's fiction writers being raised in an environment that worshipped television, and how it's hard to teach his even younger students at ISU. says he gave up his TV five years ago. short but not devoid of interest
from _Seattle Times, march 1997. right after Supposedly was published. on today's fiction writers being raised in an environment that worshipped television, and how it's hard to teach his even younger students at ISU. says he gave up his TV five years ago. short but not devoid of interest
0 / 1from Boston Globe. on IJ and Supposedly. some edited quotes, on drugs, his suicide attempt, religion, AA, irony, not being nominated for the 1996 National Book Awards
from Boston Globe. on IJ and Supposedly. some edited quotes, on drugs, his suicide attempt, religion, AA, irony, not being nominated for the 1996 National Book Awards
0 / 1from Boston Phoenix, feb 23 1998. Q&A phone interview in advance of his Boston tour for Supposedly. on fiction vs non-fiction, and how he sometimes screws up by being too tell-all in his nonfiction, and footnotes, and the pendulum of fame, and the nonfiction writers who've inspired him (Joan Didion, Pauline Kael, John McPhee, Frank Conroy's Stop Time, Tobias Wolff's This Boy's Life, Hardy, Annie Dilliard), and using typewriters
from Boston Phoenix, feb 23 1998. Q&A phone interview in advance of his Boston tour for Supposedly. on fiction vs non-fiction, and how he sometimes screws up by being too tell-all in his nonfiction, and footnotes, and the pendulum of fame, and the nonfiction writers who've inspired him (Joan Didion, Pauline Kael, John McPhee, Frank Conroy's Stop Time, Tobias Wolff's This Boy's Life, Hardy, Annie Dilliard), and using typewriters
0 / 0from Publishers Weekly, may 3 1999. after Brief Interviews was published. quotes interspersed with quotes, mostly about his publishers and agents (agent Bonnie Nadell; editor Gerry Howard at Viking; editor Michael Pietsch at Little, Brown, who worked on IJ and BI)
from Publishers Weekly, may 3 1999. after Brief Interviews was published. quotes interspersed with quotes, mostly about his publishers and agents (agent Bonnie Nadell; editor Gerry Howard at Viking; editor Michael Pietsch at Little, Brown, who worked on IJ and BI)
1 / 0from Book, July-August 1999. on BI, quotes interpersed with adventures at a Cracker Barrel in Bloomington. about teaching being good for his work (so he talks to people) and postmodern America's lack of spirituality
from Book, July-August 1999. on BI, quotes interpersed with adventures at a Cracker Barrel in Bloomington. about teaching being good for his work (so he talks to people) and postmodern America's lack of spirituality
0 / 0from Boston Phoenix, june 1999. on BI, in Q&A format. really nothing here. the Q's are edited out. more of a gag interview than anything else
from Boston Phoenix, june 1999. on BI, in Q&A format. really nothing here. the Q's are edited out. more of a gag interview than anything else
1 / 0from Buffalo News, sept 10 2000. Describes DFW as the best young writer in America then moves into Q&A (by phone). on BI, IJ, who he reads for pleasure these days (DeLillo, Ozick, McCarthy, George Saunders, Richard Powers, Joanna Scott, Denis Johnson's poetry, Vollmann's Rainbow Stories). nothing too deep
from Buffalo News, sept 10 2000. Describes DFW as the best young writer in America then moves into Q&A (by phone). on BI, IJ, who he reads for pleasure these days (DeLillo, Ozick, McCarthy, George Saunders, Richard Powers, Joanna Scott, Denis Johnson's poetry, Vollmann's Rainbow Stories). nothing too deep
1 / 0just the dialogue, with O'Brien moderating. Richard Powers is another novelist. talking about their relationships with their readers and reviewers, and about the pleasure of writing
just the dialogue, with O'Brien moderating. Richard Powers is another novelist. talking about their relationships with their readers and reviewers, and about the pleasure of writing
0 / 0from Boston Globe, oct 26. on Everything and More. some Q&A: mentions his review of two math books (section 447); talks a bit about the book; IJ; his teaching at Pomona; how he just delivered a draft of Oblivion (unnamed)
from Boston Globe, oct 26. on Everything and More. some Q&A: mentions his review of two math books (section 447); talks a bit about the book; IJ; his teaching at Pomona; how he just delivered a draft of Oblivion (unnamed)
1 / 0Q&A on Oblivion. they talk about Smithy and the boredom of adult life; the cultural landscape he feels compelled to write about; Suffering Channel and if that aligns with his prediction for the future; a quote from Zadie Smith on fiction telling us how the world works. the boredom part was the most interesting
Q&A on Oblivion. they talk about Smithy and the boredom of adult life; the cultural landscape he feels compelled to write about; Suffering Channel and if that aligns with his prediction for the future; a quote from Zadie Smith on fiction telling us how the world works. the boredom part was the most interesting
0 / 1Q&A (radio I think--NPR?) on Oblivion, mostly Mister Squishy. about advertising, the media, etc. some reader questions and a brief discussion on philosophy and maturing as a writer (from the sarcasm to Supposedly to something more generous)
Q&A (radio I think--NPR?) on Oblivion, mostly Mister Squishy. about advertising, the media, etc. some reader questions and a brief discussion on philosophy and maturing as a writer (from the sarcasm to Supposedly to something more generous)
3 / 0Q&A on American culture and how he grew to love literature; how he got into serious nonfiction mostly for financial reasons; other writers whose spiritual qualities he admires (McCarty's ability to use ornate prose, lucidity of DeLillo and Ozick, passion of St. Paul and Rousseau and Dostoyevsky and Camus)
Q&A on American culture and how he grew to love literature; how he got into serious nonfiction mostly for financial reasons; other writers whose spiritual qualities he admires (McCarty's ability to use ornate prose, lucidity of DeLillo and Ozick, passion of St. Paul and Rousseau and Dostoyevsky and Camus)
1 / 0from Wall Street Journal, may 31 2008. Q&A on the Rolling Stone essay which was also published as a standalone book (McCain's Promise); asked about similarities between Obama and McCain (former is more of an orator, and more populist); he uses some choice words to describe the Bush administration here
from Wall Street Journal, may 31 2008. Q&A on the Rolling Stone essay which was also published as a standalone book (McCain's Promise); asked about similarities between Obama and McCain (former is more of an orator, and more populist); he uses some choice words to describe the Bush administration here
2 / 0Rolling Stone, oct 30 2008. a touching eulogy and biography that doesn't exclude any of the darker parts or his relationships (with Franzen, Bonnie Nadell, Karen Green). how he would sometimes call his mother to resolve grammar disputes with his students
Rolling Stone, oct 30 2008. a touching eulogy and biography that doesn't exclude any of the darker parts or his relationships (with Franzen, Bonnie Nadell, Karen Green). how he would sometimes call his mother to resolve grammar disputes with his students
6 / 0