Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

Activity

You added a note
6 months ago

there is no democracy in any love relation

In her haunting little book Love’s Work, the British philosopher Gillian Rose writes: “In personal life, regardless of any covenant, one party may initiate a fundamental change in the terms of relating without renegotiating them, and further, refusing even to acknowledge the change…. There is no de…

—p.257 Monsters: A Fan's Dilemma THE BELOVEDS (243) by Claire Dederer
You added a note
6 months ago

what do we do about the terrible people we love?

We’ve all loved terrible people. How do I know this? Because I know people, and people are terrible. Sam went to the real problem at the heart of everything: the problem of human love. The aesthetic and ethical issues presented by men from Caravaggio to Michael Jackson are a kind of parable for thi…

—p.255 THE BELOVEDS (243) by Claire Dederer
You added a note
6 months ago

the way you consume art

In other words: There is not some correct answer. You are not responsible for finding it. Your feeling of responsibility is a shibboleth, a reinforcement of your tragically limited role as a consumer. There is no authority and there should be no authority. You are off the hook. You are inconsistent…

—p.242 DRUNKS (225) by Claire Dederer
You added a note
6 months ago

see things from the monster’s point of view

Recovery, as a way of living, makes you see things from the monster’s point of view. You see things from his point of view because you are him. You sit in the rooms and listen and you hear terrible, terrible things, but they are also ordinary things. Because everyone in that room has been through t…

—p.235 DRUNKS (225) by Claire Dederer
You added a vocabulary term
6 months ago

asperities

I noticed a certain…asperity about so-called cancel culture when it came up in online recovery circles

—p.235 DRUNKS (225) by Claire Dederer
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