Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

Activity

You added a note
5 months, 3 weeks ago

the way you consume art

In other words: There is not some correct answer. You are not responsible for finding it. Your feeling of responsibility is a shibboleth, a reinforcement of your tragically limited role as a consumer. There is no authority and there should be no authority. You are off the hook. You are inconsistent…

—p.242 Monsters: A Fan's Dilemma DRUNKS (225) by Claire Dederer
You added a note
5 months, 3 weeks ago

see things from the monster’s point of view

Recovery, as a way of living, makes you see things from the monster’s point of view. You see things from his point of view because you are him. You sit in the rooms and listen and you hear terrible, terrible things, but they are also ordinary things. Because everyone in that room has been through t…

—p.235 DRUNKS (225) by Claire Dederer
You added a vocabulary term
5 months, 3 weeks ago

asperities

I noticed a certain…asperity about so-called cancel culture when it came up in online recovery circles

—p.235 DRUNKS (225) by Claire Dederer
notable
You added a note
5 months, 3 weeks ago

more than the worst thing we’ve ever done

All those years I had chimed to Raymond Carver as a Pacific Northwest writer, as my Pacific Northwest writer, there was something else I recognized as well: the lost man, the drunk man. I was him. I loved him most when I was in my twenties, my party-drinking era—when once every year or so, or maybe…

—p.234 DRUNKS (225) by Claire Dederer
You added a note
5 months, 3 weeks ago

the possibility of connection is what the story is about

However: Carver, in the grip of happiness, no longer sounded quite like that. Compare the sheer dizzying sad-sackery of “Why Don’t You Dance?” to the sense of communion that can be found in Carver’s next story collection, Cathedral. The book is still terse, still concerned with working-class people…

—p.230 DRUNKS (225) by Claire Dederer