Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

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You added a note
5 months, 3 weeks ago

so that’s how I meet Chen Wen-guang

So that’s how I meet Chen Wen-guang. I call him Wen for short. It’s one a.m., and we’re at the counter side by side at the Cathay. We got the same bowl of noodles, ’cept he’s dressed nice. Madison Avenue’s finest. ’Course by this time of night, he’s got his silk tie stretched out and thrown over hi…

—p.102 I Hotel 1968: Eye Hotel (1) by Karen Tei Yamashita
You added a note
5 months, 3 weeks ago

the desire to write

Although the pivotal moment theory might work for some, it might be overblown. As time drags on, other events step up to the plate, and one begins to wonder why any fork in the road presented the less traveled option. Chen knew his own confused path that, upon review, could not have been changed th…

—p.95 1968: Eye Hotel (1) by Karen Tei Yamashita
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5 months, 3 weeks ago

he was a young man of uncommon intelligence

I guess you could say that Edmund was our slain Chinatown Romeo, sweet prince fallen between many houses. But maybe you could also say that this event was a testimony to the kind of person Edmund had become in a few short years. He was probably not, as they exaggerated, _a man of great passion and …

—p.94 1968: Eye Hotel (1) by Karen Tei Yamashita
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5 months, 3 weeks ago

so maybe there’s this moment

So maybe there’s this moment. It’s different for everyone, but it’s pivotal. It’s the moment your head gets screwed off and screwed on again, and everything is changed forever. You can never see life the same way again. You can never go back. Well, you can go back, but you go back with new eyes, ma…

—p.91 1968: Eye Hotel (1) by Karen Tei Yamashita
You added a note
5 months, 3 weeks ago

older yet is the sentiment of this painting

Chen spoke first. He changed the direction of the conversation. “The work of the revolution is a life devoted to the people, that is to say, the public. It’s a public life. A man’s private life, one’s deep interior, must at times be forgotten or sacrificed.”

The young man shifted. We shifted too…

—p.61 1968: Eye Hotel (1) by Karen Tei Yamashita