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[...] The novel puts people in motion and, in that, tries to render invisible things visible and deal with questions that don’t have easy answers. I think fiction is a space in which you can use naïveté to bump up against ambiguities.

There is no Parnassus to me higher than this

At this moment I feel obliged to acknowledge a part of life that’s not subject to fantasies or projections and doesn’t care about how anyone sees it. I’m reading from a book of Simone Weil’s letters, Waiting for God. It was introduced by Leslie Fiedler, and he says something that I like very much:
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a way to constitute themselves more salubriously