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always a compromised social formation

The welfare state was always a compromised social formation—corporate profits and the public good, privatized “affluence” and collective social provision pulling in opposite directions. It depended on the continuing growth of private capital to create the wealth that the state then redistributed. H…

—p.369 Essential Essays, Volume 1: Foundations of Cultural Studies Policing the Crisis : Preface to the 35th Anniversary Edition [2013] (362) by Stuart Hall
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that is why “popular culture” matters

We can be certain that other forces also have a stake in defining “the people” as something else: “the people” who need to be disciplined more, ruled better, more effectively policed, whose way of life needs to be protected from “alien cultures,” and so on. There is some part of both those alternat…

—p.360 11. Notes on Deconstructing “the Popular” [1981] (347) by Stuart Hall
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is the novel a “bourgeois” form?

What we have to be concerned with, in this definition, is not the question of the “authenticity” or organic wholeness of popular culture. Actually, it recognizes that almost all cultural forms will be contradictory in this sense, composed of antagonistic and unstable elements. The meaning of a cult…

—p.356 11. Notes on Deconstructing “the Popular” [1981] (347) by Stuart Hall
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broadcasting is thus raised above the conflicts

(4) Via impartiality, broadcasting is thus raised above the conflicts which it treats. It seems to stand outside the real play of interests on which it reports and comments. The men and women who produce programs are real social individuals in the midst of the conflicts which they report. But this …

—p.289 9. External Influences on Broadcasting: The External/Internal Dialectic in Broadcasting—Television’s Double-Bind [1972] (277) by Stuart Hall