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Tom experiences his nothingness in classic existentialist terms, feeling himself to be inchoate, a void, unresolved, unreal.
Everything we see of Sweet is focalized through his chauffeur-factotum, Neil Fontaine.
Miners were inveigled into identifying with their own terrirory rather than with the industry as whole
[sic] for terrirory
the substitutions and elisions made by the mediated unconscious