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China, whose outsized growth the global recovery vitally depends on, has flouted almost every item in Friedman’s catechism

the long glissando wail of the clarinet that begins George Gershwin’s 1924 composition Rhapsody in Blue

McCarthy is capable of lifting out of this hypnotic and lapidary directness into high Faulknerian crash-and-burn

their vatic sayings

the reader, reduced to something like mendicant vulnerability by its more nerve-wrenching moments