ten-foot-tall, creosote-coated logs rigged with powerful light bulbs and metal shades
But the other reason is bricolage. Every time it happens, you fix it and then you go forward from there. There’s this perception with regards to financial crisis that, “Oh, one’s enough, you couldn’t possibly want to do that again.”
China, whose outsized growth the global recovery vitally depends on, has flouted almost every item in Friedman’s catechism
the long glissando wail of the clarinet that begins George Gershwin’s 1924 composition Rhapsody in Blue
McCarthy is capable of lifting out of this hypnotic and lapidary directness into high Faulknerian crash-and-burn
