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There is no colour in existence that so powerfully communicates urban alienation, the atomisation of human beings inside the edifices they create, as this noxious pallid green

This tension is present in even the most benign of his New York paintings, the ones that testify to a more pleasurable, more equanimous kind of solitude

What is it about Hopper? Every once in a while an artist comes along who articulates an experience, not necessarily consciously or willingly, but with such prescience and intensity that the association becomes indelible

New York City that teeming island of gneiss and concrete and glass

it can reach its apotheosis in a crowd