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In his splendid, louche letters, you can always hear Bogarde’s sly, insinuating voice.

Perhaps that’s why the scabrous movie had to ease back, turn routine, go dull, whatever you want to say.

the part was made for her: a blowsy, uneducated, untidy, overweight wife being two-timed

Are we going to cavil at John Ford or Sam Peckinpah for hiring and rehiring their buddies—their collaborative family—over the years?

Signorina Luisetta does not laugh: she looks at me, frowning, to see whether I am serious: then goes away in a dudgeon