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Gordon calls this piece Between Darkness and Light (After William Blake), and it’s hard to imagine a more Manichaean bill. It’s a Hollywood vision of Catholic good and evil

A techno-pop score, the first unmotivated music in any Jia film, provides a sense of voluptuous anomie, while shots of an empty highway add to the sedated sci-fi quality.

It’s been a century since the violent, fast-moving pulse-pounder The Great Train Robbery left the nickelodeon audience agog

As defeated Poppy chokes back tears, Dubya trumps even the bilious, class-fueled anti-Clinton rage expressed by mother Barbara

As the media’s Klieg lights lit up California