Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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1 year, 4 months ago

could you waste your life on a gift?

[...] This was the late summer of his life, the year he met Anna, and he had no idea whether he would ever be able to return to the corralling work that art was, to have whatever he needed to make even a simple song. Dissolving into darkness was enough, for now. Or playing from memory an old song b…

—p.78 Divisadero by Michael Ondaatje
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1 year, 4 months ago

all the other towns and villages etched by Balzac

These are details that can construct a partial background of a writer’s life. She knows that everything here in Europe has touched history or a literature. Besançon became prominent because Julien Sorel attended its seminary in Le Rouge et le Noir. The rough stone structure still exists, the dusk a…

—p.77 by Michael Ondaatje
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1 year, 4 months ago

wounded in some way by falling in love

He was certainly not vain, freely admitting his thick girth, his imperfect health. After they had eventually made love satisfactorily (as far as she could assume for both of them), he stood and tested his calves in a naked leap, then strolled to the window, opened it and smoked a cigarette there, g…

—p.72 by Michael Ondaatje
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1 year, 4 months ago

France had meant a quiet and anonymous time

France had meant a quiet and anonymous time for Anna. Apart from the visits of Monsieur and Madame Q, she saw no one. And there was nothing in the house of the writer to remind her of North America. She was escaping the various aspects of her professional life—acquaintances, deadlines, requests for…

—p.67 by Michael Ondaatje
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1 year, 4 months ago

he drew the map for her clearly and to scale

The husband, smoking his pipe, would walk the perimeter of the walled garden and consider how well the pollarding of the trees had succeeded. He would eventually circle the house to where the door leading to the back pasture would be open, and through the opening see Anna hunched over the table wri…

—p.65 by Michael Ondaatje