Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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You edited a note
1 year, 2 months ago

I would have said her beauty floated about her project/stunt-story topic/beauty

Suddenly she took off her concealing sunglasses and said, ‘This is what I look like, Mr Bergman.’ Her smile was swift and dazzling, teasing.

It is hard to say whether great myths are unremittingly magical because they are myths or whether the magic is an illusion, created by us consumers; but at…

—p.240 The Magic Lantern by Ingmar Bergman
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1 year, 2 months ago

Irish, four feet tall and moved crabwise for/pq inspo/funny

I high-handedly moved to the Savoy Hotel and swore I was prepared to pay whatever it cost. Lord Olivier offered me his pied-a-terre at the top of a high-rise in one of the more genteel areas of the city. He assured me I would not be disturbed. He and his wife, Joan Plowright, lived in Brighton, and…

—p.236 by Ingmar Bergman
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1 year, 2 months ago

the damned common stuff we produce for/pq inspo/music

[...] . The force comes from the stomach, don’t cheat with your posture. There’s no instrument, never will be, that can render the dynamism Beethoven imagined in his silent world. See, now it sounds lovely. You who have so much beauty in you, you must learn to bring it out. Let’s go on then. Here y…

—p.224 by Ingmar Bergman
You edited a note
1 year, 2 months ago

the damned common stuff we produce for/pq inspo/music

[...] . The force comes from the stomach, don’t cheat with your posture. There’s no instrument, never will be, that can render the dynamism Beethoven imagined in his silent world. See, now it sounds lovely. You who have so much beauty in you, you must learn to bring it out. Let’s go on then. Here y…

—p.224 by Ingmar Bergman
You edited a note
1 year, 2 months ago

communication was an unknown concept for/pq inspo/funny

Meanwhile, the administration was understaffed and over-worked. The theatre director’s secretary was also the press officer. The costume studios were disintegrating and the permanent stage designers were ill or alcoholics. Communication was an unknown concept.

—p.190 by Ingmar Bergman