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Part of the legacy of people like Ella Baker and Septima Clark is a faith that ordinary people who learn to believe in themselves are capable of extraordinary acts, or, better, of acts that seem extraordinary to us precisely because we have such an impoverished sense of the capabilities of ordina…

The argument of this book does not, however, concern only the effects that transformations of labor process or occupational structure have on the plane of aesthetic production; I also argue for the reciprocal effects that aesthetic concepts and vocabularies have exerted on the restructuring of labo…

Given these likely futures, what might the effects be for art, for poetry? One of the arguments of this book is that since 1960 poetry in particular and art and literature more broadly have derived their force from a massive demographic and occupational transformation, as workers moved away from go…

On the one hand, these developments might seem to imply a slowing down of historical “progress,” measured in terms of technical development. But this slowing down finds itself matched by a speeding up. As it becomes difficult to extract increased profits from investment in labor-saving technology, …

The standard presentation of the rising organic composition of capital assumes that its central effect is a falling rate of profit, since the rate of new value extraction also falls. The arguments around this point are complicated, highly technical, and might lead us to miss the major point here. R…