Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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1 month, 2 weeks ago

Europeans tend to face the facts

Has any society at any time solved the problem of the relation between the sexes honestly? Europeans tend to face the facts. French men and women take lovers and live happily with their legal mates. Mexicans have their casa chicas. No two people have the same desires or the same needs, and no singl…

—p.178 Elia Kazan: A Life by Elia Kazan
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1 month, 2 weeks ago

to cut myself loose from the plague of guilt

That’s another kind of wealth, the wealth I prize most, the wealth of my experiences. I wouldn’t have missed any of it. Or the memories. What did the poet say? I loved them all in my own fashion—and I have no regrets. I wanted my album full.

Well, it is. How was I able to do it, and still live a…

—p.177 by Elia Kazan
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1 month, 2 weeks ago

do I regret what has made this city so rich for me?

Do I regret any of that which happened? Do I regret what has made this city so rich for me? How could I? Yes, I did hurt some people, several who were dear to me, particularly my first wife when I was least controlled and most driven. But have you tried getting through life without hurting anyone? …

—p.177 by Elia Kazan
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1 month, 2 weeks ago

she looked like one of Renoir’s models

They are the windows of the room where some twenty-five years ago I used to meet a girl I shan’t name. The past is across the street from the present; the distance between, slight. Directly under those three windows a sort of daybed was placed, and there—with the shutters closed—we used to come tog…

—p.176 by Elia Kazan
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1 month, 2 weeks ago

as if I had no responsibility to anyone else

Several of the company members were married. Had they noticed? If so, did they disapprove of me? They knew Molly, of course, and I wondered what they’d say to her. But I didn’t care. I was where I wanted to be, out in the open with the girl, as if I had no responsibility to anyone else. Besides, he…

—p.172 by Elia Kazan