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Anyway. The more I tried to get the characters in the story to enact the behavior that would lead to their relationship’s demise, the more I found myself spiraling outward to describe their entire world. How else could I show how death had infiltrated their lives and ruined their capacity to connec…

I imagined, while watching Melancholia the second time, how the people in the village outside the family’s private property might have been dealing with the news of apocalypse. Maybe they were generating wild conspiracy theories and attacking one another—or maybe they had stopped worrying, stopped …

The Gift’s thesis is that artistic creation is fundamentally an act of generosity, which may be accounted for by commodity systems such as the market economy but which forever evades total capture by those systems. Hyde makes (some occasionally universalizing and exoticizing) sojourns into gift the…

Love can be both intoxicating and toxic. One desires to be taken over: enveloped, dissolved, decomposed, and one desires just as strongly to retain an individual shape. For this reason, Anne Carson describes erotic love as fundamentally ambivalent in her 1986 book, Eros the Bittersweet. As she puts…

The story of person-becoming-plant is not about reversal or reversion to some imagined natural state. Instead it provides a counterpoint to any quick-fix, back-to-the-land fantasy, which sees nature as distinct, permanent, unchanging, passive, authentic, and fundamentally good. The idea is not that…