sculpting through fiction a powerful human presence
Holland describes 'Octet' as 'sculpting through fiction a powerful human presence whose insistent engagement with the reader makes her feel, in her own life, less alone'.
Holland describes 'Octet' as 'sculpting through fiction a powerful human presence whose insistent engagement with the reader makes her feel, in her own life, less alone'.
The absurd is not a quality of man or of the world, but 'is born of this confrontation between the human need and the unreasonable silence of the world', writes Camus in The Myth of Sisyphus. The absurd is the tension, the discrepancy between man asking the world for meaning. for reasons, and the…
The aesthete is afraid of being bored, tries fervently to occupy his oversaturated mind with all kinds of distractions, but inevitably ends up being bored. This is what we might call the double nature of boredom: it encompasses both the individual's basic, languid state of apathy, as well as the fr…
He had to build a wall around each second just to make it. The whole first two weeks of it are telescoped in his memory down into like one second--less: the space between two heartbeats. A breath and a second, the pause and gather between each cramp. An endless Now stretching its gull-wings out on …
[...] ethical self-becoming, as the constant relating of gift and task, is a process that is never finished; the ethical view is not something that one arrives at, after which one is done, and no unclarity and aesthetic confusion remain. [...]