Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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9 years, 4 months ago

on child prodigies

But precisely when childhood is defined as a miracle, we protest that this miracle is nothing other than a premature accession to the adult's powers. [...] the entirely bourgeous notion of the child prodigy (Mozart, Rimbaud, Roberto Benzi); an admirable object insofar as it fulfills the ideal fun…

—p.176 Mythologies: The Complete Edition, in a New Translation Literature According to Minou Drouet (172) by Roland Barthes
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9 years, 4 months ago

a challenge to the inscriptions of moralized reason

There are still people for whom a strike is a scandal: i.e., not only a mistake, a disorder, or a misdemeanor, but a moral crime, an intolerable action which in their eyes is an offense to Nature. Inadmissible, scandalous, revolting are the words used by certain readers of Le Figaro about a…

—p.149 The Man in the Street on Strike (149) by Roland Barthes
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9 years, 4 months ago

universal can opener

[...] the grandiloquent designation of the Bible held at arm's length like the universal can opener of a quack peddler [...]

—p.111 Billy Graham at the Vel' d'Hiv' (109) by Roland Barthes
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9 years, 4 months ago

extract an existential beauty from an essential beauty

Still, in that deified countenance, something sharper than a mask appears: a sort of deliberate and therefore human relation between the curve of the nostrils and the superciliary arcade, a rare, individual function between two zones of the face; the mask is merely an addition of lines, the face is…

—p.74 Garbo's Face (73) by Roland Barthes
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9 years, 4 months ago

a pre-Voltairean mentality

We still live in a pre-Voltairean mentality; that is what must be constantly repeated. For since the time of Montesquieu or of Voltaire, if we were astonished by the Persians or the Hurons, at least it was to grant them the benefits of ingenuity. Today, Voltaire would not write the adventures of Bi…

—p.69 Bichon Among the Blacks (66) by Roland Barthes