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The scene in Amour I like best: In it, the air seems cold and blue from all the dust. Ambient particles swarm even though there are protective sheets draped over everything. The room is stark, stripped of all the character the couple once lovingly embellished it with. One window is open, the ligh…

It's no wonder, as Wendy Brown points out, that suffering has always been the barometer of authenticity, and authenticity has in turn become proof of identity. Your bleeding wound is the evidence that allows you to name yourself part of a group; shared wounds have historically been the impetus for …

Amour is a movie about an aging couple. They live happily together in a charming Parisian apartment. They are still in love. That's why the movie is called Amour. [...] One day, Emanuelle has a stroke while they're eating breakfast. Time stops. When it starts again, she is bed-ridden and incapa…

I don't remember the last time I saw the ashtray we made in Brighton Beach, but I think it was right before the breakup. Neither of us was crying, but the touches between us had become rote and glazed, we already knew. It was spring, and the exhaust fan blowing the cigarette ash out your living roo…

[...] in the US, heritage is mobilized as an individualistic, institutional myth. It would have us believe that by reviving our family narratives and traditions, by demanding representational equity, indeed, by raising "awareness" of our ethnic differences, we can address, even eradicate, the scour…