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Modern literary criticism, even when—as is now customary—it is not concerned with questions of authentication, still defines the author in much the same way: the author provides the basis for explaining not only the presence of certain events in a work, but also their transformations, distortions, …

It is not enough, however, to repeat the empty affirmation that the author has disappeared. For the same reason, it is not enough to keep repeating that God and man have died a common death. Instead, we must locate the space left empty by the author's disappearance, follow the distribution of gaps …

The first is the idea of the work [oeuvre]. It is a very familiar thesis that the task of criticism is not to bring out the work's relationships with the author, nor to reconstruct through the text a thought or experience, but rather to analyze the work through its structure, its architecture, it…

First of all, we can say that today's writing has freed itself from the theme of expression. Referring only to itself, but without being restricted to the confines of its interiority, writing is identified with its own unfolded exteriority. This means that it is an interplay of signs arranged less …

[...] Before the Golden Age, per capita income in the rich capitalist economies used to grow at 1-1.5 per cent per year. During the Golden Age, it grew at 2-3 per cent in the US and Britain, 4-5 per cent in Western Europe, and 8 per cent in Japan. Since then, these countries have never managed to g…