Activity

The next night, Ally was reading her doll-maker book. Occasionally she pressed a hand to her heart, overcome. Russell had brought Thora a magazine from town, but she’d seen it already. A page of various celebrities with cellulite blurring their thighs. A different celebrity recording everything she…

Thora was on Focalin. Or had been, until they found out she had been snorting it off James’s iPad, the iPad he loaded with podcasts about political crimes and interviews with precocious teens starting businesses. She’d tried listening to one of them once, one of James’s beloved podcasts: when had l…

Spiritual art must always be in flux because it represents a greater mystery, also in flux: man’s relationship to the Holy. In each age the spectator grasps for that special form, that spot on the spectrum, whether in art, religion, or philosophy, which can take him to the greater mystery. At prese…

The conventional religious film uses a style of identification rather than of confrontation. The style amplifies the abundant artistic means inherent to motion pictures: the viewer is aided and encouraged in his desire to identify and empathize with character, plot, and setting. For an hour or two …

At the stage of disparity the conflict between abundant and sparse artistic means becomes apparent—and disturbing—to the spectator. This conflict is personified by the protagonist; here is a product of abundant means, a man in realistic human form whose physical needs are like our own, yet whose co…