Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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3 years, 6 months ago

The life I had then was slipping away project/beach-house

It was just at the point when things were finally cracking up for me that I ran into Lauren and her father on Madison Avenue. Jillian, my fiancée, was visiting her family in California and I, I had raced up to New York in our car. I didn’t know what I was going to do there, in fact the people I con…

—p.9 All the Sad Young Literary Men Keith: The Vice President’s Daughter (I) (9) by Keith Gessen
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3 years, 6 months ago

this would not be enough

But most of all Mark and Sasha and their friends worried about history and themselves. They read and listened and wrote and argued. What would happen to them? Were they good enough, strong enough, smart enough? Were they hard enough, mean enough, did they believe in themselves enough, and would the…

—p.5 Mark: Prologue (1) by Keith Gessen
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3 years, 6 months ago

the items already on sale

So they saved! Mark cheated, a little. They had a 4Runner, a present from his father, and Mark would drive it to the big Path-mark on Northern Boulevard. Once there, he achieved the serenity of a Zen master. The people of Queens ran around this way and that, their shopping carts like externalized s…

—p.3 Mark: Prologue (1) by Keith Gessen
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3 years, 6 months ago

they were all dated 1968

Graves’s ad hoc curriculum worked with what was at hand. We had 24 Hours in the Life of a Woman, Anna Karenina, Bandits in Milan, Charlie Bubbles, The Red and the White. They were all dated 1968. There was a graphic printed on the faded pieces of paper that lined the bottom of the box. It had the d…

—p.153 I Fear My Pain Interests You by Stephanie LaCava
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3 years, 6 months ago

the cinema of attractions

Graves told me there is a thing, like the cinéma du corps, called the cinema of attractions. A term coined by a guy named Tom Gunning. Something like you present a series of images to tell a story, without worrying too much about the words. “Exhibitionist confrontation rather than diegetic absorpti…

—p.151 by Stephanie LaCava