Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

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6 years, 2 months ago

we are always alone with our own mortality advice/living inspo/criticism

There is a passage in the work of the contemporary novelist Dorothy Allison which may help explain what I have in mind. Towards the beginning of a remarkable essay called 'Believing in Literature', Allison says that 'literature, and my own dream of writing, has shaped my own system of belief - a ki…

—p.161 Philosophy and Social Hope Religious Faith, Intellectual Responsibility and Romance (148) by Richard M. Rorty
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6 years, 2 months ago

ecstasy's power lies in its wordlessness advice/living inspo/criticism

This essay on the loss of grace in tennis speaks then to the passing of a writer's first ecstatic access to creation. Wallace mourns the loss and maps a paradox that would become the seed idea of later work. The paradox is that although we need to live in peaks, these hypostatic highs of sex, succe…

—p.654 The David Foster Wallace Reader Afterword by Mark Costello (654) by Mark Costello
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6 years, 2 months ago

the nearest thing to life why/read

[...] George Eliot, in her essay on German realism, put it like this: 'The greatest benefit we owe to the artist, whether painter, poet, or novelist, is the extension of our sympathies ... Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fel…

—p.129 How Fiction Works Sympathy and Complexity (128) by James Wood
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6 years, 2 months ago

the nearest thing to life why/read

[...] George Eliot, in her essay on German realism, put it like this: 'The greatest benefit we owe to the artist, whether painter, poet, or novelist, is the extension of our sympathies ... Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fel…

—p.129 Sympathy and Complexity (128) by James Wood
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6 years, 2 months ago

everything is constantly lapsing into oblivion inspo/interiority

[...] the darkness does not lift but becomes yet heavier as I think how little we can hold in mind, how everything is constantly lapsing into oblivion with every extinguished life, how the world is, at it were, draining itself in that the history of countless places and objects which themselves hav…

—p.30 Austerlitz by W.G. Sebald