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Most memoirs fail because of voice. It’s not distinct enough to sound alive and compelling. Or there are staunch limits to emotional tone, so it emits a single register. Being too cool or too shrill can ruin the read. The sentences are boring and predictable, or it’s so inconsistent you don’t know …

Dumb hope is what it hurts most to write, occupying the foolish schemes we pursued for decades, the blind alleys, the cliffs we stepped off. If you find yourself blocked for a period, maybe goad yourself in the direction of how you hoped at the time. Ask yourself if you aren’t strapping your curren…

We quarrel sometimes, and sometimes we weep. The road always stretches endlessly ahead and behind us, so that we are out of time as well as out of place.

It’s a cliché to talk about finding a voice, but it does feel arrived at, fixed and immutable as the angel hidden in Michelangelo’s stone. About nine months into working on the first chapter for a proposal (I’d been told I needed a hundred pages and an outline), I started knowing where the words …

Here’s one excerpt about my old man. It’s better than anything I’d done before. But it still sounded so emotionally bald that I only sent it out to a magazine at my husband’s urging.

I tell the only truth I know:
that I am helpless and sorry you’re dying,
that this planet will weigh no les…