Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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2 years ago

alienated by the discourse around the natural

Merve Emre presents the stories of her interviewees as evidence that all reproduction is, and should be, assisted, not “natural.” But these stories are equally proof of just how hard it is to give up nature as an object of desire. Even queer theorists are sobered to learn the sex of an embryo. So w…

—p.67 Once & Future Feminist Extreme Pregnancy (66) by Andrea Long Chu
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2 years ago

with a fresh and loving eye advice/writing

All right. Nabokov’s first novel, Mary, was written in a Berlin boarding house, when both the author and the century were about twenty-five. His situation was as follows: having fled the Bolsheviks, he and his Jewish bride now awaited the Nazis (the NSDAP was formed in 1920); his father had been sh…

—p.499 Inside Story: A novel Postludial (489) by Martin Amis
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2 years ago

never take a single speck of it for granted advice/writing

Borges, in his long conversation with the Paris Review, at one point spoke with bafflement about all the people who simply fail to notice the mystery and glamour of the observable world. In a sentence that stands out for its homeliness, he said, ‘They take it all for granted.’ They accept the _face…

—p.498 Postludial (489) by Martin Amis
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2 years ago

you need an unusual appetite for solitude advice/writing

Temperament (as I’ve said) is vital. You need an unusual appetite for solitude, and a strong and durable commitment to the creative form (you have to want to be in it for life). These are qualities that the dedicated reader already has. You will also need this strange affinity with the reader – une…

—p.497 Postludial (489) by Martin Amis
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2 years ago

the funniest poet in English

Together with its almost sinister memorability, and its unique combination of the lapidary and the colloquial, the key distinction of Larkin’s corpus is its humour: he is by many magnitudes the funniest poet in English (and I include all exponents of light verse). Nor, needless to say, is his comed…

—p.471 The Poet: December 1985 (463) by Martin Amis