Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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You edited a note
2 months, 1 week ago

people in combat with life

The world is so downbeat, so cynical; people want something to believe in. At least, people do deep down, but they’re afraid to admit to humanities out loud for fear their friends and neighbors will think they are ‘square’. I get awfully sick of the mass flip attitude. I wish we weren’t so hard-boi…

—p.118 Cassavetes on Cassavetes Too Late Blues and A Child Is Waiting (1960–62) (102) by John Cassavetes
You edited a note
2 months, 1 week ago

a crash-course in screenwriting

McSorley gave Cassavetes a crash-course in screenwriting, and the two men worked together intermittently over the next five years on a variety of projects. Cassavetes later said that McSorley taught him the three most important things he knew: 1) that character was more important than plot, and tha…

—p.103 Too Late Blues and A Child Is Waiting (1960–62) (102) by Ray Carney
You added a note
2 months, 1 week ago

people in combat with life

The world is so downbeat, so cynical; people want something to believe in. At least, people do deep down, but they’re afraid to admit to humanities out loud for fear their friends and neighbors will think they are ‘square’. I get awfully sick of the mass flip attitude. I wish we weren’t so hard-boi…

—p.118 Too Late Blues and A Child Is Waiting (1960–62) (102) by John Cassavetes
You added a note
2 months, 1 week ago

it makes it harder to fight

If a man gets paid, say, $300,000 for directing a picture, it is hard for him not to compromise. When you work in a major studio, when the studio owns the story, you have to be very clear in your own mind why you are there. If you are there primarily to make money, then compromise is all right, in …

—p.112 Too Late Blues and A Child Is Waiting (1960–62) (102) by John Cassavetes
You added a note
2 months, 1 week ago

a crash-course in screenwriting

McSorley gave Cassavetes a crash-course in screenwriting, and the two men worked together intermittently over the next five years on a variety of projects. Cassavetes later said that McSorley taught him the three most important things he knew: 1) that character was more important than plot, and tha…

—p.103 Too Late Blues and A Child Is Waiting (1960–62) (102) by Ray Carney