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[...] There were several male editors at RayGun who’d been fired from SPIN for sexual harassment, and they didn’t seem to have learned anything. But there was a power in being 19 and having so many eyes — especially their eyes — on me. I felt dangerous. I’d wear long, tight white club dresses and b…

All the poor kids in South Pasadena lived in the Raymond Hill district. Immigrants and the POC who were not East Asian, because they also lived in the rich white areas. There were burglaries constantly, the sound of car alarms going off at all hours, police making their rounds at every odd hour. Ev…

[...] The Granola Cruncher, too, chooses to understand her story in her own terms. Refusing to yield to fear during and after a horrific, life-changing experience, she chooses to open herself to others despite the inevitability of pain. Although they face the very real threat of continued emotional…

In The Language of Pain, theorist David Biro muses about our impetus to turn inward and succumb to pain: "Pain," he explains, "silences us. So why bother trying to speak? Why not just close one's eyes ... and wait for it to pass? And for those who witness pain, why bother trying to break down the…

[...] In his review of Adaptation, David Ulin argues for seeing Kaufman not as merely a screenplay writer but as a "great American writer ... [with] his mastery of structure, his voice and vision, his recognition of the power of the word to remake the world -- he stands with the finest writers of…