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[...] Choosing to be an activist wasn’t choosing surveillance: choosing to make surveillance was choosing surveillance. I knew what she meant because we’d had this argument before, which is one of the advantages to talking with old friends, all that shared history, all those old conversations in th…

Mostly it sucked because there had been a moment in my life, I suppose as a younger person, when I knew that I aspired to be a writer. This is not the same as feeling at home writing, or feeling the need, the compulsion, to write, which I also felt. But there was this moment when I spied an image o…

Call me a utopian, but I believe every entrant to the Amazon Breakthrough Novel Award would chuck the contest, the reality-show format, and all the tips on how to hype your book for a sense of cultural belonging. The Amazon “community” suggests a world in which everyone can publish a book, within a…

Ironically, a preoccupation with historic catastrophe actually ends up depriving the novel of the kind of historical consciousness it was best suited to capture. The effect is particularly clear in the “maximalist” school of recent fiction, which strives, as McGurl puts it, to link “the individual …

[...] What was missing from the older literary forms, in other words, wasn’t social justice, but the passage of time—a dimension the novel was specifically engineered to capture. The novelistic hero is by definition someone whose life experience hasn’t yet been fully described, possibly because of …