Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

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2 years, 9 months ago

I should be more creative

FEBRUARY 17, 1941

I should be more creative, more original at this age. I tremble to think that I am 20 years old. Nothing! Except for confused emotions. I’m not even in love! I have to finish the ideas I’ve already had. Then the others will come like a rushing river.

—p.18 Patricia Highsmith: Her Diaries and Notebooks: 1941-1995 1941–1950: Early Life in New York, and Different Ways of Writing (5) by Patricia Highsmith
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2 years, 9 months ago

and I liked myself best

1/6/41

One brazen, conceited, decadent, despicable, retrogressive thought for today: I lost myself in a groundless dream, of life in suspension, and third dimension, of my friends and their types—of persons and faces, nameless, only filling spaces—and each one was quite to be expected, where he …

—p.9 1941–1950: Early Life in New York, and Different Ways of Writing (5) by Patricia Highsmith
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2 years, 9 months ago

I hunger for love and for thought advice/writing

THIS COLLECTION OPENS in 1941, when Patricia Highsmith introduces the first of her diaries—Diary 1a—to be kept in tandem with her notebooks. On April 14, 1941, she writes, “Je suis fait[e] de deux appétits: l’amour et la pensée [My appetite is twofold: I hunger for love and for thought].” How much …

—p.7 1941–1950: Early Life in New York, and Different Ways of Writing (5) by Patricia Highsmith
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2 years, 11 months ago

the night had renewed its lease

[...] I got up and walked over to Christopher, who was talking to the boy I had noticed. Christopher introduced us. The boy kissed me on both cheeks. His name was Theo. He had a long face and thick, dark, expressive eyebrows. He was wearing one of those navy workwear jumpsuits, like a mechanic, an…

—p.172 Happy Hour by Marlowe Granados
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2 years, 11 months ago

the soft underbelly of a coarse man

He asked, “What’s the problem, Isa?” And tired of being coy all the time, I wanted to say, “I like when you are tender with me. I wish you were tender all the time.” It was the feeling that his tenderness was selective, and I wanted to be the object of all of it. I fiddled with my straw. The pulp o…

—p.150 by Marlowe Granados