Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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You added a note
1 month, 1 week ago

the illusion that I could have both

NOW, forty-five years after the production of The Skin of Our Teeth and my adventures with it, perhaps I see who and what I was—and am—more clearly. For instance, now I can freely acknowledge that I’ve always wanted a secure domestic life and, at the same time, the freedom of the bachelor’s existen…

—p.217 Elia Kazan: A Life by Elia Kazan
You added a note
1 month, 1 week ago

she’d be out with another man tomorrow night for/pq

Constance had one sure defense; she’d “see” (that all-purpose girl word) another man. Don’t forget, I told myself, how quickly she found Capa when you were on the road with Golden Boy. And just now, a weekend with Jack Houseman. And some others for sure. The back seat of a Pontiac, for chris-sake! …

—p.202 by Elia Kazan
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1 month, 1 week ago

this girl thinks of towel racks

In the morning she asked me to put her car in the barn; it looked as if it was going to rain. Looking through her bag for the car keys, I found a little notebook. Across the cover, she’d written “Mr. and Mrs. Elia Kazan.” It contained her plans for the decoration of the house we’d bought. On one …

—p.200 by Elia Kazan
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1 month, 1 week ago

when you next direct a scene of jealousy

BACK at the Belvedere by midnight, I wrote in my diary:

Constance was not at the restaurant at eight when I said. I should have understood this because I’d given her only a few hours notice and she might have left home before my wire arrived. I then called her home; no one answered. I had anot…

—p.197 by Elia Kazan
You added a note
1 month, 1 week ago

alone in the wreckage

In a few days she wanted a divorce. This was a relief, a kind of solution. Then she changed her mind, apparently after a conversation with a close friend, another wife, the gist of which, as I heard it later, was: “If you want him, you’ll have to take him as he is. What’s happened to you happens to…

—p.195 by Elia Kazan