Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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You edited a note
8 months, 1 week ago

he was at a bad age for dangerous antics project/stunt-story

Gabriel supposed that Dieter was right, in a way. Certainly, he was at a bad age for dangerous antics. It was time for younger men to take their turn at jumping off moving vehicles, diving into ice-cold streams, and dodging blank shot; nor had he reached that time of life when he could die blessing…

—p.187 Paris Stories Baum, Gabriel, 1935–( ) (171) by Mavis Gallant
You edited a note
8 months, 1 week ago

the path became overgrown behind her topic/the-passage-of-time

She had learned her lines for nothing. The director he introduced her to also thought she did not look German. She was one of the brown-eyed Catholic girls from around Speyer. She prayed for Gabriel, but his life after the prayers was the same as before. She had a catch in her voice, almost a stamm…

—p.177 Baum, Gabriel, 1935–( ) (171) by Mavis Gallant
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8 months, 2 weeks ago

still illuminated by a mild light for/pq project/stunt-story topic/the-work

The truth in our interpretations is bound by time. Our theatre productions do indeed disappear into merciful obscurity. But individual moments of greatness or misery are still illuminated by a mild light. And the films still exist and bear witness to the cruel fickleness of artistic truth. A few st…

—p.255 The Magic Lantern by Ingmar Bergman
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8 months, 2 weeks ago

which never leave the projector of the soul for/pq project/stunt-story

I didn’t know what was happening. Gun was four months’ pregnant. I behaved like a jealous child. She was alone, deserted. There are moving pictures with sound and light which never leave the projector of the soul but run in loops throughout life with unchanging sharpness, unchanging objective clari…

—p.168 by Ingmar Bergman
You edited a note
8 months, 2 weeks ago

a joy greater than joy topic/infidelity

[...] The film, entitled To Joy, was to be about a couple of young musicians in the symphony orchestra in Helsingborg, the disguise almost a formality. It was about Ellen and me, about the conditions imposed by art, about fidelity and infidelity. Music would stream right through the film.

I was …

—p.159 by Ingmar Bergman