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It was as if his own feeling of impotence were writ large on the political scene everywhere.

The vision of history subjacent to both films is a kind of revolutionary historicism that posits guerilla onflict and revolution as ineluctable.

it is through such a 'Manichean' violence, symmetrical to the enemy's violence, that the oppressed achieve the awareness of their own strength.

Burn! depicts two parallel trajectories: on the one hand, the moral abyss into which neocolonialism pushes its agents and, on the other, the progressive development of a political consciousness among the ruled people. When Walker meets Dolores, he believes in civilisation and progress, with the i…