this latter emerging as a topos in Chinese television films set in Dafen
Wong’s virtuosity in tracking multiple levels of misprision lies precisely in the extent to which she succeeds in arousing scepticism
Wong is able to follow the implications of her research into the more rarefied realms of cultural theory and philosophical aesthetics
it's a nice word whose definition I've never actually looked up
questions about the dialectic between ‘original’ and ‘reproduction’ that have been unavoidable since Marcel Duchamp and Walter Benjamin
Alain Badiou develops the notion of ‘atonal’ worlds – monde atone – which lack the intervention of a Master-Signifier to impose meaningful order onto the confused multiplicity of reality.
