Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

Activity

You edited a note
5 months ago

I tried to say “Lambert” to sound like “Lempert”

We drove by another billboard: “Ted Lempert for State Senate.”

“Ted Lempert,” Lidiya mused, then turned to me. “Who is this Ted Lempert?”

I said that I didn’t know, but that I thought he wanted to be a senator.

“Hmm,” she said. “Lempert. I knew a Lempert once—an artist. His name was Vladim…

—p.111 Happiness: Ten Years of n+1 Babel in California (83) by Elif Batuman
You edited a note
5 months ago

the exotic custom of an unknown people

In this way I managed to get locked in the archive; I was sitting at my carrel and lost track of time, and suddenly all the lights went out. When I got up, I realized that the entire library was not only dark but also deserted and locked. I banged on the locked doors for a while with no result, the…

—p.96 Babel in California (83) by Elif Batuman
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5 months ago

what her own fiction should sound like

Really everyone who wins the Nobel Prize does seem overrated. Is this the best anyone can do? you wonder. Note to self, she thinks: Don’t win Nobel Prize. So far there is little danger. Three months ago she sent out her best short story to five publications; the result to date is two perfunctory re…

—p.62 Diana Abbott: A Lesson (41) by Benjamin Kunkel
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5 months ago

metafiction is hysteria

"[...] I love In the Heart of the Country, which I suppose a reviewer would describe as a metafictional novel narrated by an ageing white virgin in a remote corner of South Africa. It’s the best book I know about hysteria and also one of the best metafictions, nor is this a coincidence: metafiction…

—p.57 Diana Abbott: A Lesson (41) by Benjamin Kunkel
You edited a note
5 months ago

really: why write?

And there was something more: Coetzee seemed so dubious about the possibilities of language-as-communication, preferring instead to consider words as a species of music (cf. Disgrace and Foe for articulations of this properly Viconian idea), that Diana wondered whether she should not give up writin…

—p.56 Diana Abbott: A Lesson (41) by Benjamin Kunkel